Mrm
Veteran
- Joined
- March 11, 2013
- Posts
- 20,902
I beg to differ.
I hear a mediocre take at some 80's Bond track, in other words a musical relic you'd never hear on contemporary radio these days, but we have these relic ballads in Eurovision each year and somehow they are stuck in this contest. Sure not all are Bond-ish, but still relics.
Sanna sings a standard love ballad, but Conchita's "message" is just as common. The whole "ME, I made it, I'm here" blaha blaha is almost just as common as love messages.
Then again, this sorta marks my point, Conchita got lots of votes for the act and a supposed "message", but I think it's problematic in a contest which should be a judgment of the music first and foremost. Maybe some fell for it, but I feel the whole Conchita act contrived and I'm a bit disturbed by the whole politicization of the contest, it felt more like an LGBT-convention than a European music show tbh. I don't want ESC to turn into a political forum like that. I'm all fine with it embracing the LGBT community to some extent (I'm gay myself so I guess it's nice to have some platforms like these), however I don't want it to turn into an LGBT-fest, because that to me is just politics and excluding and has very little to do with the concept of bringing Europe together in music. I want great songs to win, not political "causes".
Again, I know this type of music is genuinely your cup of tea, so I'm not questioning your musical judgment here, but if people believe that this win was based solely on performance/song/vocals and not because of the hype (which was mostly caused by media and fans), then they are deluding themselves (regardless if they like the song or not).
I'm 100% sticking by my opinion that this song would have NOT won, had it not been for the hype surrounding the act and the supposed "message".
Also, this entry wasn't even composer/written by any Austrian? So where is the actual representation here?Not an Austrian product neither in sound or in names
![]()
To me, one of the most enjoyable things about Eurovision is that the whole thing is in it's own little world. You will get radio friendly songs but you'll also get peculiar songs and relics from another era.. and so what really? I wouldn't care less if something was relevant to the narrow world of chart music. "Moltiva" was hardly chart material. In fact, I was getting kind of sick of all the radio friendly winners we've had the past few years. With the exception of Loreen, they have all been tepid. Something with real fire under it's belly has won for once and for that i'm grateful.
I don't like the idea of the contest being a political platform either. It made me feel ashamed and disgusted when the Russian twins were viciously booed by the same people who were cheering Conchita. I don't really know what to add on this as I do agree with you... but then again, this world is in a dreadful state at the moment and Conchita's win has only highlighted that with the reactions that have now followed. I don't see why Conchita can't sing about what she did though when there are many singing about peace. It's pretty much the same thing. She/we all (I hope) want a better future. Eurovision is a powerful vessel to get a message out there and her message reached millions.
The fact of the matter is everyone was saying before the contest she won't win because she's a drag queen with a beard, now she's won it's only because she's a drag queen with a beard? Can you see how confusing that is and almost ridiculous? I'm not pointing you out, I don't even remember your views on the initial release of the song.
Tom has a brilliant character in the same way Loreen had a brilliant artistic vision for her performance. With Eurovision, it's more than just about the music as it's both a visual and audio experience. The Netherland's wouldn't have done so well for instance if their performance didn't look as slick on screen and they both weren't as pretty. The only way to solve the problem you have with the contest is to turn it into a radio event.
To me, one of the most enjoyable things about Eurovision is that the whole thing is in it's own little world. You will get radio friendly songs but you'll also get peculiar songs and relics from another era.. and so what really? I wouldn't care less if something was relevant to the narrow world of chart music. "Moltiva" was hardly chart material. In fact, I was getting kind of sick of all the radio friendly winners we've had the past few years. With the exception of Loreen, they have all been tepid. Something with real fire under it's belly has won for once and for that i'm grateful.
I don't like the idea of the contest being a political platform either. It made me feel ashamed and disgusted when the Russian twins were viciously booed by the same people who were cheering Conchita. I don't really know what to add on this as I do agree with you... but then again, this world is in a dreadful state at the moment and Conchita's win has only highlighted that with the reactions that have now followed. I don't see why Conchita can't sing about what she did though when there are many singing about peace. It's pretty much the same thing. She/we all (I hope) want a better future. Eurovision is a powerful vessel to get a message out there and her message reached millions.
The fact of the matter is everyone was saying before the contest she won't win because she's a drag queen with a beard, now she's won it's only because she's a drag queen with a beard? Can you see how confusing that is and almost ridiculous? I'm not pointing you out, I don't even remember your views on the initial release of the song.
Tom has a brilliant character in the same way Loreen had a brilliant artistic vision for her performance. With Eurovision, it's more than just about the music as it's both a visual and audio experience. The Netherland's wouldn't have done so well for instance if their performance didn't look as slick on screen and they both weren't as pretty. The only way to solve the problem you have with the contest is to turn it into a radio event.
Also, this entry wasn't even composed/written by any Austrian? So where is the actual representation here?Not an Austrian product neither in sound or in names
![]()
composed by David Bronner and Dorothee Badent...from Austria![]()
Sanna had yet another love song about getting over someone, Conchita had a song about rising above those who once tormented her. The message is an important part of song craft and Conchita just so happened to have something that really hit home with a lot of people, not just gays but anyone with sympathy. Conchita is obviously a part of why the song won but then I find it strange how anyone can deny the quality of the piece of music.
composed by David Bronner and Dorothee Badent...from Austria![]()
You too, with members you agree with..![]()
David Bronner was the producer of the song. But the composers came from Germany and Austria.
Sanna sings a standard love ballad, but Conchita's "message" is just as common. The whole "ME, I made it, I'm here" blaha blaha is almost just as common as love messages.
Then again, this sorta marks my point, Conchita got lots of votes for the act and a supposed "message", but I think it's problematic in a contest which should be a judgment of the music first and foremost. Maybe some fell for it, but I feel the whole Conchita act and "message" is contrived and I'm a bit disturbed by the whole politicization of the contest, it felt more like an LGBT-convention than a European music show tbh. I don't want ESC to turn into a political forum like that. I'm all fine with it embracing the LGBT community to some extent (I'm gay myself so I guess it's nice to have a forum like this in some sense), however I don't want it to turn into an LGBT-fest, because that to me is just politics and excluding and has very little to do with the concept of bringing Europe together in music. I want great songs to win, not political "causes".