ESC United Mod Team
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- February 10, 2021
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I tried to make a small prediction how the voting for this year could look like, based on last years voting behaviours and feedback I read online. I'm not unbiased tho, obviously lol.That's really interesting. Especially Ikke looses with this system. So maybe Marie can have the same "fate" as well in case the Juries will rate her low. I truly hope that Ryk will make it. He (and maybe Bodine a bit) could be the only ones dragging us out of the bottom.
I made a small list how the results of last year would look like with a similar system as this year (12, 10, 8, 6, 4, 2, 1, 0 point system tho)
When there's a tie usually the televote score is the deciding factor so this is what it would look like. The smaller artists would've been much more competitive against the established artists (Ikke and LotL together got more than 50% of the whole televote), with the televote favourite still having quite the advantage even if the jury tanks them.
I think Ryk has really a good chance at winning.
I can see this almost happening. But do you think that Max would be No 1 in televote? Isn't the song too boring for the audience? In this aspect I would see Max rather doing better with the Juries. And should the staging be good, I can see Bodine doing well with the Juries and the televotes as well.I tried to make a small prediction how the voting for this year could look like, based on last years voting behaviours and feedback I read online. I'm not unbiased tho, obviously lol.
Out of everyone I think Bodine is the one that I may have underestimated in this prediction the most. 8 points from the jury and even a top 3 televote finish are not impossible for her, I think. Depends on her performance.
I'm really not sure, last year the two most known acts were the Top 2 in the televote, so I applied that pattern to my prediction.I can see this almost happening. But do you think that Max would be No 1 in televote? Isn't the song too boring for the audience? In this aspect I would see Max rather doing better with the Juries. And should the staging be good, I can see Bodine doing well with the Juries and the televotes as well.
In a timeline when we have 9 good competitive entries I would agree. But we've been served 50 shades of beige and no matter what the german public will not like the song, so who cares? There's no LotL here that will be liked by a majority, so what's the point. So let's have the juries, that gave us this travesty, pick their favourite and have them give us at least some points in May.I know that the "50/50" system is what we have to face in Eurovision - which is totally fine - but I prefer the idea of a nation deciding on what song to send to asking random "professionals" from a Eurovision-pool which may pop up in several NFs across the continent all over again.
OMG YESOh - another thing I totally despise and absolutely hate: Why can't NDR just stick to a single format and try to establish it as our NF?
It's so confusing to deal with different names every two years - getting new voting systems every year (basically) - a different mechanism, amount of participants - it's like they put "so much time and effort" to come up with new ideas to just get rid of them immediately afterwards.
I strongly believe that our national final would have had a different "reputation" amongst viewers, artists and record labels alike if they had become some sort of tradition - We don't need something "epic" as Melodifestivalen but we could have pulled up some Dansk Melodi Grand Prix easily (imo).
We won't get better songs if we keep placing last, we have to break that streak no matter what...
We basically got "Sister" after finishing #4 the year before.
We won't be getting better songs as long as NDR keeps on relying on radio or international juries who like to listen to generic pop songs in English/who think that The Voice and Pop Idol are the best TV shows ever.
Also, "Sister" was ranked #1 by the international jury in our NF as well - how many points did we get from them in ESC 2019?
We can't rely on the international juries, either.
I actually prefer sending a song which is supported by the German public - even if someone like Ikke might win in the future - We've had NF's in which 1,000,000 votes had been cast - we are no Luxembourg - let's give the audience more power - and less power to Estonian or Swedish Sarah Connors who may fall asleep attempting to watch Eurovision now and then.
Many of us would be over the moon if Ryk represented us. BUT: The German televoters (are the obstacle). Ryk said a live performance video will be released BEFORE the NF. And should he win, there will be an official video as well. Ryk sings amazing live that is not the problem, rather how his staging will look like. I keep all my fingers and toes crossed for Febr 16th. But I am also prepared for a defeat.The studio version of Oh boy is really interesting. I love how it builds musically and vocally.
I haven't found any live version.
I'm sure Germany could get an excellent result with this song if he will be able to sing it well live.
Has a lot of potentials
The Melodifestivalen may be "epic" but many, caught up in the excess, forget that it rests on solid traditional foundations. The Benidorm Fest was able to resurrect, with all its lights and shadows, because in the past there was a national festival with a history of decades behind it. Germany, if I'm not mistaken, has never had a traditional national festival. It is difficult for NDR to understand which is the right path to follow. NDR suddenly wants to find the magic recipe, the panacea for all ills to regain ground on his European opponents. If German fans understood this they would be gentler towards their broadcaster or at least feel a sense of pity. NDR can get everything wrong but you can't say that he doesn't put passion and commitment into what he does. The best choice, in my opinion, is to accept your limits, choose a precise format and have patience. Furthermore, no to international jurors and voting. The chosen song must respect the tastes of the German people and not that of foreign fans or follow the concept of "finding the right song for the ESC" (which no one ever understood what it was). When people like a song it almost never fails.Oh - another thing I totally despise and absolutely hate: Why can't NDR just stick to a single format and try to establish it as our NF?
It's so confusing to deal with different names every two years - getting new voting systems every year (basically) - a different mechanism, amount of participants - it's like they put "so much time and effort" to come up with new ideas to just get rid of them immediately afterwards.
I strongly believe that our national final would have had a different "reputation" amongst viewers, artists and record labels alike if they had become some sort of tradition - We don't need something "epic" as Melodifestivalen but we could have pulled up some Dansk Melodi Grand Prix easily (imo).