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I would like France to bring such powerful sounds (because France has a good tradition in disco music), which use traditional sounds (without necessarily trying daring experiments in full Breton) and which take full advantage of their beautiful language (virtue of the Romance languages and which have greater vocality). There's no way I can't make songs like that even today! An Italian who has no French soul at all succeeded more than 10 years ago! I think they would destroy any competition with a song like that. 800 point victory, walk under the Arc de Triomphe and Paris 2026.
It won't happen, like 90% of chances, until our current HoD Alexandra Redde Amiel is in charge of choosing our representative(s) for the adult contest. The problem is that she has a very "conservative" approach of the adult contest. What i mean by "conservative" is : She believes that in order to win, we must absolutely send songs with french "clichés" , or very stereotypical french songs only. In 2022, she added some diversity to the NF but from what i know for absolute certainty is that her favourite was Marius, who had a typical french ballad full of clichés and she wanted him to win.
In the end, we still choosed Fulenn and our poor result very probably reinforced her idea and her vision of what should be sent to the competition. I want as a proof the fact that we choosed Evidemment the year after and we played the full "cliché" card with La Zarra. So unless she decides to go for a NF again with some diversity, she won't select internally alone some rap singers, or even music like rnb, rock, dj songs, alternative or other music genres that doesn't instantly match with the image of France and french music in the collective unconscious of Europeans. She believes that european people only expect those kind of cliché songs from us and she said that during several interviews and press conferences in recent years.
It's a shame because personally I like her. She is passionate about the competition and she invests herself but she is mostly amazing at JESC and her vision of the adult competition limits us in our possibilities. But i would love it if she proves us wrong and takes a risk next year. I think many people only ask for that. Sending clichés songs could work (it worked for Barbara) but using the same card every year is boring and not it's not an optimal approach for the adult Eurovision. In the opposite side, we've got an absolute perfect formula for JESC and if she could choose our representative for the juniors forever if she wants.