I've been thinking about the Kaliopi comparison I made last night, and I actually see a whole bunch of compelling stories from Eurovisions past in this entry. You could think of it as Sergej Ćetković, who brought a beleaguered country into the final with some well-executed simplicity. Or Evelina Sašenko, who was written off as "boring" before the contest but brought something powerful to the live performance and weaseled her way into the final. Or Paula & Ovi (in 2010), who used pitch-perfect live vocals, clever staging, and a fantastic song to do much, much better than anyone thought they would. The underdog narrative the Czech Republic is (perhaps inadvertently) crafting is adding to my already too great love for the song. I really hope you can get into the final and will be "Crisalide"-not-qualifying levels of sad if you don't.