I don't think that this song can have much different staging at Tel Aviv. The song itself is too simple so only a simple staging fits it!
Slovenia SLOVENIA 2019 - Zala Kralj & Gašper Šantl - Sebi
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I don't think that this song can have much different staging at Tel Aviv. The song itself is too simple so only a simple staging fits it!
The song I want to love and where I pray for a miracle but which will ultimately have the same destiny as Portugal 2018 ;(
JonnyWest
Member
Still sad about Raiven, but this is goooood 
Although I fear this will be ignored in May since it's so stripped back :/
Although I fear this will be ignored in May since it's so stripped back :/
Still sad about Raiven, but this is goooood
Although I fear this will be ignored in May since it's so stripped back :/
How many points did you give in the poll?
JonnyWest
Member
I'm currently watching "Sebi" reaction videos and people are generally very positive about the song. Very few of them venture to guess what kind of result Slovenia will get with it, which is understandable given it's quite new for Eurovision. The ones who do actually do see "Sebi" qualifying and maybe getting a top 10 placing.
They mostly praise Zala's soothing voice, the atmosphere of the song and the addictive light beats.
Visually, some do like the presentation as is, others don't get it. A few suggested Gasper should do something, while Zala should smile and look at the camera because one potentially can't connect with them... And I strongly disagree with all of that: firstly, one doesn't need to look at the camera to do well (we have several examples of that, including Italy 2013 and Portugal 2017), secondly, them constantly looking at each other is the whole point of this effort lyrically and story-wise. On the contrary, I think it sets an even more intimate atmosphere, as if Zala was singing to Gasper and no one else, as intended. Thirdly, I don't think Gasper should actually change his routine either: while he additionally plays the part of the "musician" (versus the vocalist), he is essential to the chemistry going on. Having him do a headstand, push-ups or some other kind of unnecessary choreography would jeopardise the connection those two have on stage imo.
Personally, I would let them be themselves and focus my attention on the camera work and the quality of the backdrops and spotlights to make the whole thing look grander in Tel Aviv than it was in EMA without overdoing it.
On a side note, while rather alternative and fresh (for the contest), I think "Sebi" may well be spotify-friendly, which may be an advantage. It seems like people could be willing to play the song (on repeat) outside the framework of the contest.
They mostly praise Zala's soothing voice, the atmosphere of the song and the addictive light beats.
Visually, some do like the presentation as is, others don't get it. A few suggested Gasper should do something, while Zala should smile and look at the camera because one potentially can't connect with them... And I strongly disagree with all of that: firstly, one doesn't need to look at the camera to do well (we have several examples of that, including Italy 2013 and Portugal 2017), secondly, them constantly looking at each other is the whole point of this effort lyrically and story-wise. On the contrary, I think it sets an even more intimate atmosphere, as if Zala was singing to Gasper and no one else, as intended. Thirdly, I don't think Gasper should actually change his routine either: while he additionally plays the part of the "musician" (versus the vocalist), he is essential to the chemistry going on. Having him do a headstand, push-ups or some other kind of unnecessary choreography would jeopardise the connection those two have on stage imo.
Personally, I would let them be themselves and focus my attention on the camera work and the quality of the backdrops and spotlights to make the whole thing look grander in Tel Aviv than it was in EMA without overdoing it.
On a side note, while rather alternative and fresh (for the contest), I think "Sebi" may well be spotify-friendly, which may be an advantage. It seems like people could be willing to play the song (on repeat) outside the framework of the contest.
BorisBubbles
Veteran
I've been looping this song all morning. Damn it packs a punch after a few listens. I am a massive sucker for atmospheric songs like these: the song's cadence is like the ripples that form after a lone teardrop strikes the still surface of a secluded lake. It is so unabashedly pure and unassuming. I'm not sure if it can qualify because it's a grower entry, but holy hell Slovenia have pure gold in their hands if they do this right.
Good thing this is in Belgium's SF because I will happily cast 20 votes for it.
Good thing this is in Belgium's SF because I will happily cast 20 votes for it.
tsegaye
Well-known member
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I'm like many of you sad to see Raiven lose another EMA, however I think the slovenes did the right decision here. Sebi is truly mesmerizing, and I feel that this could be a big moment on the Eurovision stage. If she only looked into the camera a bit more and worked more with the camera angles this could be magic in May. Maybe Calm After The Storm 2.0?
If you guys make this win exactly 2 years after Salvador, don't complain when ESC turns into a snoozefest in 2020.
Let's agree and make Salvador an exception. The idea of another sleeping pill kind of song winning anytime soon is giving me a heartattack.
Let's agree and make Salvador an exception. The idea of another sleeping pill kind of song winning anytime soon is giving me a heartattack.
Mrm
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Maybe ultra interesting, upbeat and fascinating songs from your signature and avatar can save ESC of the snooze..
Sorry, I simply had to..
Maybe ultra interesting, upbeat and fascinating songs from your signature and avatar can save ESC of the snooze..
Sorry, I simply had to..
kudos to you if you can fall asleep while hearing Elina's la Forza
it's not that i don't appreciate ballads. i just dislike static songs that don't build up through 3 minutes.
To correct a misunderstanding, it's not that I don't like this song. I gave it a 3 at first listen and I'm thinking of upgrading it to a 7 after hearing the studio version.
However I think winning ESC or placing top 10 will be a bit tooooo overrated for such a simple song.
However I think winning ESC or placing top 10 will be a bit tooooo overrated for such a simple song.
Mrm
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What matters in music festival IMO is composition and vocals on the first place..it should be like that..
I agree. That's why I find this song winning a bit overrated. The composition is so simple, vocals are nothing special (it's basically speaking, not much melody) and the song is static for three minutes. I do appreciate it (especially the light beats), but not as much as many people do here. It's a matter of taste.