ESC United Mod Team
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I never said they shouldn’t reward hit potential, they do and they should. But the fact 6 or 7 of the 10 juries all gave their maximum points to Alessandra when she was far from being one of the strongest singers of the night tells me they were prioritising the commercial aspect over the performative aspects. The fact some even had Ulrikke in their bottom or even at the very bottom would indicate that too.juries should vote on how polished a performance is and hit potential, not only vocals, and Ulrikke's song lacked that. Thats the reason Chanel did well with the ESC juries last year
Hopefully that is a good sign!NOT!
("Ikke" means "not" in Danish.)
And Norwegian.NOT!
("Ikke" means "not" in Danish.)
But is that a bad thing? Eurovision is a commercial tv program that promotes music, personally I m happy to see jurors being more open minded and voting for the strongest package and not the strongest singer alone ( something that has led to many ESC disasters )I never said they shouldn’t reward hit potential, they do and they should. But the fact 6 or 7 of the 10 juries all gave their maximum points to Alessandra when she was far from being one of the strongest singers of the night tells me they were prioritising the commercial aspect over the performative aspects. The fact some even had Ulrikke in their bottom or even at the very bottom would indicate that too.
Yeah, it’s just that we want juries to do their job and reward technicalities based on the performance, otherwise it defeats the purpose of having one and it might as well be any one of us on the panel. That’s all. I personally thought Ulrikke was virtually flawless and had more of a moment on the stage and so deserved more points than she got, even if I prefer to listen to Alessandra’s.But is that a bad thing? Eurovision is a commercial tv program that promotes music, personally I m happy to see jurors being more open minded and voting for the strongest package and not the strongest singer alone ( something that has led to many ESC disasters )
And lets be honest, was someone WOWed by Ulrikke tonight? She didnt have A GREAT vocal momemt like she did with Attention, she sang it pleasantly and that was it. Didnt see or hear many reasons for jurors to go crazy
But is that a bad thing? Eurovision is a commercial tv program that promotes music, personally I m happy to see jurors being more open minded and voting for the strongest package and not the strongest singer alone ( something that has led to many ESC disasters )
And lets be honest, was someone WOWed by Ulrikke tonight? She didnt have A GREAT vocal momemt like she did with Attention, she sang it pleasantly and that was it. Didnt see or hear many reasons for jurors to go crazy
This! Eurovision isn't a singing talent show a la "The Voice of Europe" or something, it's a song contest and the songs should be in the front (in combination of course with the overall package which do include performance + vocal delivery). This idea that the vocals are the most important and thus the songs secondary isn't what Eurovision is as a concept. Sure, live delivery is important, but that shouldn't be the make or break (unless the live delivery of a song is bad then it obviously will affect the overall package).
But no one claims that being a horrible singer and having a disastrous performance should be ignored, of course it matters, but it can't be that vocals alone is the make or break for an entry.I agree, but I think vocals are also quite important, like no matter the quality of song, if you sing it horribly it just gets bad (Austria last year for example)
Exactly, why should a bad song in a song contest be premiered only because of good vocal delivery? Again it's not a singing talent show.But it also works the other way
Obviously there’s a lot of nuance but given that the juries are there because of the whole peformance element, doesn’t it stand to reason that they’re not doing their job properly if they’re overlooking or undervaluing the performative technicalities in place of the song? If that’s the case then they are truly flawed.This! Eurovision isn't a singing talent show a la "The Voice of Europe" or something, it's a song contest and the songs should be in the front (in combination of course with the overall package which do include performance + vocal delivery). This idea that the vocals are the most important and thus the songs secondary isn't what Eurovision as a concept is about, we have other shows for those purposes. Sure, live delivery is important (there is no denying), but that shouldn't be the make or break (unless the live delivery of a song is bad then it obviously will affect the overall package). Why do we even send original songs in the first place if juries should primarily care about vocals? I mean...
I had actually added that - something must have gone wrong.And Norwegian.
Obviously there’s a lot of nuance but given that the juries are there because of the whole peformance element, doesn’t it stand to reason that they’re not doing their job properly if they’re overlooking or undervaluing the performative technicalities in place of the song? If that’s the case then they are truly flawed.
It’s all part of the criteria, and no one is saying otherwise, no one is saying that Alessandra didn’t deserve to win the jury. I’m simply saying they ought to give more weight to the performance technicalities given that that is the entire reason they are there, not to simply select the best song or overall package which any one of us could do from home.The juries aren't there to judge vocals, they are there to choose the best song and look at the overall package delivery (which obviously includes vocals). If a song is weak, but vocals are strong, they obviously shouldn't vote for it because the song isn't "it".
If a song is strong, but performance is a trainwreck, then obviously they shouldn't vote for that either. But was that the case here?
The juries were pretty happy with Atle, so I don't know about that. Maybe some thought that Ulrikke's and Eline's songs were simply too bland. Juries don't have to give 12 points to uninteresting songs just because they are technically well performed.they were prioritising the commercial aspect over the performative aspects.
It’s all part of the criteria, and no one is saying otherwise, no one is saying that Alessandra didn’t deserve to win the jury. I’m simply saying they ought to give more weight to the performance technicalities given that that is the entire reason they are there, not to simply select the best song or overall package which any one of us could do from home.