ESC United Mod Team
Super Moderator
- Joined
- February 10, 2021
- Posts
- 214
Well the live version helped elevate it from the middle of my ranking to the top 10, yea. But that’s a problem because…?Yeah, after it ended up in 4th position.
So much arrogance... So much hate... What has he done to you?I don't care much for Due Vite either - it's not like DV is bad, but it accomplishes things I don't care for in music. I have my sad songs. I have my comfort songs. I have my own coping mechanisms for when I desire a handsome man, or wholesome words being whispered in my ear. I don't require a Due Vite for any of those things, and that's why I always been lukewarm towards it, at best. It was a competent song though with a well-established narrative by a very charming lead and I respect its skill. It's just not my cup of tea. When I listen to music, I just look for other things.
Mon Amour is intended to be like Due Vite, but it's not even close to its level. Its narrative is wretched. Like, he fucks up his relationship, she not only leaves him, but breaks off all contact AND MOVES AWAY FROM HIS CITY and yet i'm supposed to believe he isn't sure whether she likes him or not? Dude, I don't know her and yet I already know the answer. MOVE ON.
Sadly, he does not, and spends three minutes lamenting it, with a surprisingly lack of dignity. The lyrics establish we're right at the end of a toxic relationship, where HE fails at introspection or understand her need for personal space. And that realization KILLS all the potential romance Mon Amour could have had for me. It makes me want to root AGAINST the person singing it.
Instrumentally, the song is deliberately stripped down for the purpose of vocals and lyrics. Love rich instrumentation, the song offers none. That's too bad. The lyrics suck and the vocals, well... loud is a pitch, not an emotion. Slimane needs to be careful because he sometimes strays into the former without transitioning into the latter.
The song feels like it was specifically put together for people who don't know French, but could be swayed by something specifically French-sounding or a big vocal that (highly contemptuous) Makes Them Cry. I personally find it phoney and insidious but hey that is (thankfully for France) just me.
Theoretically that voice COULD win Eurovision. But if it does not, can we at least all agree that Mon Amour as a composition fucking suuuuuuuuuuuuuuuuuuuuuuucks?
The song doesn‘t reach you - fair enough. But cynical? That seems a bit harsh given that this is a competition. How is wanting to deliver a competitive package cynical?I can't deny that the rehearsal clip is vocally very impressive, but it also confirms my problems with the song this year. It leaves me feeling nothing.
It's weird how I'd say the Netherlands' supposed emotional bit in their song and this French entry as a whole suffer the same problem - they're telling me to be emotional, but not making me feel it. It's cold and detached. I don't believe Slimane 'feels' this song. He's telling me he is, but I don't feel it.
It comes across as a very cynical entry and performance designed to win the jury vote. And it will most likely succeed on that front.
Cynical in that it comes across as a song written purely with the Eurovision juries in mind and nothing more.The song doesn‘t reach you - fair enough. But cynical? That seems a bit harsh given that this is a competition. How is wanting to deliver a competitive package cynical?
I agree a 100%. Are people actually really touched by the song? I mean it's SO cliché in the worst posible way, so over the top, so annoying somehow. And him standing there in this cold stage environment, all in white, doesnt make it better. I feel more emotion when listening to Europapapa tbh.I am one of them swimming against the stream. I don't feel anything when listening to the song. @Ted Talks described it perfectly with "cold and detached". I am usually a ballad lover, but this song simply doesn't reach me. There is no doubt that his voice is gorgeous, but I would take rather someone having an "unsteady" voice and reaching my heart. His performance is nothing stunning and also leaves me cold unfortunately.
Not so bold assumption: If the song was in English the fandom would hate it.
You might want to look up the definition of “whataboutism”.But it isn't, therefore this is whataboutism.
You might want to look up the definition of “whataboutism”.
I‘m pretty sure that this is the case with a veeery small minority of songs in Eurovision… And I‘m almost certain that it does not apply to any of the winning songs of let‘s say the last 15 to 20 years. (with maybe the exception of Måneskin)I still think it’s better to write a song first that then happens to be the Eurovision entry - not deliberately going out to write a Eurovision entry and therefore just doing a checklist of things - jury appeal etc.
Like Germany this year. Isaak wrote the song himself before Eurovision and then decided to apply with it. That’s why it doesn’t tick all the Eurovision boxes und people call it lame. Which I don’t think but obviously you have to bring s song tailored to ESC to succeed.I‘m pretty sure that this is the case with a veeery small minority of songs in Eurovision…
Well from a UK perspective, our tactic of deliberately writing a song for Eurovision didn't really work and became cliche-ridden nonsense that appealed to no-one. I think a big issue with deliberately writing for the contest is that most of the songs don't feel genuine to the performer.I‘m pretty sure that this is the case with a veeery small minority of songs in Eurovision… And I‘m almost certain that it does not apply to any of the winning songs of let‘s say the last 15 to 20 years. (with maybe the exception of Måneskin)