ESC United Mod Team
Super Moderator
- Joined
- February 10, 2021
- Posts
- 214
The song doesn‘t reach you - fair enough. But cynical? That seems a bit harsh given that this is a competition. How is wanting to deliver a competitive package cynical?I can't deny that the rehearsal clip is vocally very impressive, but it also confirms my problems with the song this year. It leaves me feeling nothing.
It's weird how I'd say the Netherlands' supposed emotional bit in their song and this French entry as a whole suffer the same problem - they're telling me to be emotional, but not making me feel it. It's cold and detached. I don't believe Slimane 'feels' this song. He's telling me he is, but I don't feel it.
It comes across as a very cynical entry and performance designed to win the jury vote. And it will most likely succeed on that front.
Cynical in that it comes across as a song written purely with the Eurovision juries in mind and nothing more.The song doesn‘t reach you - fair enough. But cynical? That seems a bit harsh given that this is a competition. How is wanting to deliver a competitive package cynical?
I agree a 100%. Are people actually really touched by the song? I mean it's SO cliché in the worst posible way, so over the top, so annoying somehow. And him standing there in this cold stage environment, all in white, doesnt make it better. I feel more emotion when listening to Europapapa tbh.I am one of them swimming against the stream. I don't feel anything when listening to the song. @Ted Talks described it perfectly with "cold and detached". I am usually a ballad lover, but this song simply doesn't reach me. There is no doubt that his voice is gorgeous, but I would take rather someone having an "unsteady" voice and reaching my heart. His performance is nothing stunning and also leaves me cold unfortunately.
Not so bold assumption: If the song was in English the fandom would hate it.
You might want to look up the definition of “whataboutism”.But it isn't, therefore this is whataboutism.
You might want to look up the definition of “whataboutism”.
I‘m pretty sure that this is the case with a veeery small minority of songs in Eurovision… And I‘m almost certain that it does not apply to any of the winning songs of let‘s say the last 15 to 20 years. (with maybe the exception of Måneskin)I still think it’s better to write a song first that then happens to be the Eurovision entry - not deliberately going out to write a Eurovision entry and therefore just doing a checklist of things - jury appeal etc.
Like Germany this year. Isaak wrote the song himself before Eurovision and then decided to apply with it. That’s why it doesn’t tick all the Eurovision boxes und people call it lame. Which I don’t think but obviously you have to bring s song tailored to ESC to succeed.I‘m pretty sure that this is the case with a veeery small minority of songs in Eurovision…
Well from a UK perspective, our tactic of deliberately writing a song for Eurovision didn't really work and became cliche-ridden nonsense that appealed to no-one. I think a big issue with deliberately writing for the contest is that most of the songs don't feel genuine to the performer.I‘m pretty sure that this is the case with a veeery small minority of songs in Eurovision… And I‘m almost certain that it does not apply to any of the winning songs of let‘s say the last 15 to 20 years. (with maybe the exception of Måneskin)
I preferred his mirror vest, but I get why he changed it because we've seen it a lot alreadySuch a great song. That stage outfit though. IF you wear a white wifebeater, be fit.
I mean.... Måns jogged every morning in that grey tee, he did his taxes in that grey tee, he did groceries in that grey tee, he even slept in that grey tee. He's gonna appear in that grey tee this week again. In fact, I heard it was white, but it turned grey from all his sweat repeating that dance move he did while singing "demons in our minds" and acting like there was really a demon dancing in around his head, no joke.I preferred his mirror vest, but I get why he changed it because we've seen it a lot already