escYOUnited
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- September 28, 2009
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I have a very high tolerance of what some fans may call "tasteless"So none of you really, honestly, thought Erika's performance was absolutely hilariously tasteless? You really watched that mess on actual fire and went "this is perfection, so beautiful, I'm crying. It's like a renaissance painting come to life!"
I...
At least that explains Samanta Tina.
So none of you really, honestly, thought Erika's performance was absolutely hilariously tasteless? You really watched that mess on actual fire and went "this is perfection, so beautiful, I'm crying. It's like a renaissance painting come to life!"
I...
At least that explains Samanta Tina.
It was visually the best three minutes of my life. For what it was, everything was done to perfection. May not be to everyone's taste certainly, but to those that enjoy kitsch, fabulously bizarre things with a bit of cheeky wink, it was wonderfully staged and everything totally captured the essence of the song. It was brimming with charm and personality. A moment like it won't come again.
I feel your pain, but I'm sure there will be other songs you'll be as enthusiastic about. Take heart.
To me, and many others from what I've seen, the performance was not at all what she sold us with the lyric video.
It was a plastic hellscape complete with brimstone, she looked menacing, not playful and sex-positive, and there was none of that soft, playful Cicciolina aesthetic anywhere.
That feeling of disconnect might have been what cost her the victory.
Well, to quote my earlier post...
The disparity between different countries' juries and their expertise is the problem. The Estonian jury for example consisted of:
NOEP, an electronic pop artist who has had some reasonable international success
Liis Lemsalu, one of our biggest pop stars
Laura Põldvere, who you all probably know, an established musician (although both her Eurovision songs don't really represent her work well)
Erik Morna, a notable music critic and a radio DJ
Heidy Purga, a radio producer who also pretty much created Eesti Laul
I don't know what happened to me then. You well know I like all what you described above but I just didn't feel that with Erika's performance, it let me down to the extend to be even mad, I feel Erika did not deliver it and I can't blame IJ for not giving her more.It was visually the best three minutes of my life. For what it was, everything was done to perfection. May not be to everyone's taste certainly, but to those that enjoy kitsch, fabulously bizarre things with a bit of cheeky wink, it was wonderfully staged and everything totally captured the essence of the song. It was brimming with charm and personality. A moment like it won't come again.
I didn't care about her song before the performance.To me, and many others from what I've seen, the performance was not at all what she sold us with the lyric video.
I don't know what happened to me then. You well know I like all what you described above but I just didn't feel that with Erika's performance, it let me down to the extend to be even mad, I feel Erika did not deliver it and I can't blame IJ for not giving her more.
Also, I see a lot of bitterness among fans being channeled to Aksel, as if it were his fault. I honestly fon't think his song and performance is the rubbish angry fans are rating with pleasure lots of zeros.
I wish Cicciolina had won and saved what seems to be a boring edition though, but I can see why it did not get a smashing televoting victory like PKN did in 2015 that helped them to win it all after the jury scores.
I still wait when my niche favourite will get a huge love from Eurofans.I was shocked people loved Erika as much as they did, as usually I'm quite alone enjoying niche songs like Cicciolina. Also the staging was super wonderful and I thought very well done and memorable.
I still wait when my niche favourite will get a huge love from Eurofans.
Usually my favourites died in the end of personal rankings on YouTube / forums.
I always wanted to find the peoples, who like something from my NF favourites. Especially from non-selected songs.
For three consecutive years NF song from my choice was last in Worldvision spin-offs.
No, I don't think so. The fact of the matter is that the serious entries in Eurovision have become very good and the fun and colorful entries simply upped their game recently. The gulf in quality between I Didn't Know and Na Na Na is fairly obvious and the most seminal example one can give as the songs are comparable in quality and style:My favourites used to be the same, disliked by most but recently this weird shift has happened. I never expected fans to take Serhat's return song into their hearts so dearly for instance. I was almost alone supporting I Didn't Know. Same for The Social Network Song (Oh Oh-Uh-Oh Oh). Maybe because the contest has taken such a serious route lately that fans are missing the days when Eurovision entries were more colourful and fun?
Yes, I did. It was a completely trashy garbage.So none of you really, honestly, thought Erika's performance was absolutely hilariously tasteless? You really watched that mess on actual fire and went "this is perfection, so beautiful, I'm crying. It's like a renaissance painting come to life!"
Exactly the same, and led effects are so beautiful..Yes, 12 points from me - the song is beautiful and I really love Aksel's voice,