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Austria AUSTRIA 2023 - Teya & Salena - Who the Hell is Edgar?

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  • 12

    99 45.2%
  • 10

    25 11.4%
  • 8

    22 10.0%
  • 7

    12 5.5%
  • 6

    15 6.8%
  • 5

    12 5.5%
  • 4

    4 1.8%
  • 3

    5 2.3%
  • 2

    6 2.7%
  • 1

    6 2.7%
  • 0

    13 5.9%

  • Total voters
    219

ESC United Mod Team

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Lindon

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Thanks for giving me the opportunity to practice my German
Historic records among young audiences The presentation of the songs reached a market share of 59 percent (12-49) and 73 (12-29) percent among the young target group. 89 percent market share in the decision and 82 percent market share in voting among the twelve to 29 year olds are the highest song contest or Grand Prix D'Eurovision market shares ever measured in this target group in the ORF. Even with 12-49, the ESC decision reached a historic ORF top value with a market share of 70 percent. It is thus in 5th place in the historical market share ranking of all song contest programs from 1995 (Grand Prix D'Eurovision and Song Contest). Yesterday's ESC achieved a 77 percent market share at 12-29 throughout the evening - and thus also a record.

Real champagne at ORF CEO floor.
 

marty

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Maybe he´s ******* someones **** at ORF?? :LOL:
actually he is the host of the most popular radio show in the country. so there must be many people who like him. he was also hosting the austrian music awards and that was similar cringe. perhaps I am too old to understand why he is popular.
 

ESC94

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actually he is the host of the most popular radio show in the country. so there must be many people who like him. he was also hosting the austrian music awards and that was similar cringe. perhaps I am too old to understand why he is popular.

Or maybe he has some good friends at ORF who support him no matter what happens?? I heard there´s a lot of "Klüngelei" there as we say in German. :LOL:
 

aef

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actually he is the host of the most popular radio show in the country. so there must be many people who like him. he was also hosting the austrian music awards and that was similar cringe. perhaps I am too old to understand why he is popular.
From those where I know their opinion, I don't know anyone liking him in my family/ among my friends. Many people find his Saturday radio show on Ö3 very annoying (the one were they try to solve peoples problems).
 

Chorizo

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Dear disappointed fellow Austrians, let‘s just take comfort in the fact that we did much better than Germany. When things aren’t going that well, that’s often enough to cheer ourselves up, isn’t it? :ROFLMAO::p
 

Ezio

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Historic records among young audiences The presentation of the songs reached a market share of 59 percent (12-49) and 73 (12-29) percent among the young target group. 89 percent market share in the decision and 82 percent market share in voting among the twelve to 29 year olds are the highest song contest or Grand Prix D'Eurovision market shares ever measured in this target group in the ORF. Even with 12-49, the ESC decision reached a historic ORF top value with a market share of 70 percent. It is thus in 5th place in the historical market share ranking of all song contest programs from 1995 (Grand Prix D'Eurovision and Song Contest). Yesterday's ESC achieved a 77 percent market share at 12-29 throughout the evening - and thus also a record.

Real champagne at ORF CEO floor.
That is why ORF won’t withdraw from ESC as long as viewers tune in for it. The only thing killing ORF’s interest would be A continued NQ streak.
 

Chorizo

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I was shocked by Greece and Cyprus tbh. But then also by UK and Sweden not awarding us anything, and they were the show runners.
I guess the homeland of Spotify didn't appreciate the criticism.
 

Ezio

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Dear disappointed fellow Austrians, let‘s just take comfort in the fact that we did much better than Germany. When things aren’t going that well, that’s often enough to cheer ourselves up, isn’t it? :ROFLMAO::p
Actually I am equally disappointed for Germany and I was anticipating a 100+ televot.
 

ESC94

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From those where I know their opinion, I don't know anyone liking him in my family/ among my friends. Many people find his Saturday radio show on Ö3 very annoying (the one were they try to solve peoples problems).

Basically the same here in :de: with Barbara Schöneberger, no one I know likes her. :unsure:
 

bstream

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I think the Austrian broadcaster needs to face the reality that they need to punch up their staging. I'm thinking of Austria 2017 which only had a giant moon prop, and Austria 2018 which lucked out by having a great song + taking advantage of a part of the stage no other country did. Austria just hasnt had dynamic staging in any memorable manner since 2012 at least.

This song was a potential top 10 that was let down by inadequate staging (and arguably running order less so). The girls sang great, and this song was a great slice of pop.
 

midnightsun

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Because from 2013 on the RO is made by a human being influenced by odds and semi results.

Swedes and Sweden friendly Dutch.

Alika did bad in the semi, yet got a good RO because they knew it would be drowned by Italy. Two ballads consecutively, they knew how popular Italy was.
Austria, Australia and Poland did well, yet didn’t get a good spot. Well… just MAYBE because they were the biggest threats to Sweden (and Finland).
 

marty

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I think the Austrian broadcaster needs to face the reality that they need to punch up their staging. I'm thinking of Austria 2017 which only had a giant moon prop, and Austria 2018 which lucked out by having a great song + taking advantage of a part of the stage no other country did. Austria just hasnt had dynamic staging in any memorable manner since 2012 at least.

This song was a potential top 10 that was let down by inadequate staging (and arguably running order less so). The girls sang great, and this song was a great slice of pop.
2018 Austria was not taking advantage of a part of the stage no other country did. That part was ordered and paid by ORF. Thats why it was the only country using it. I like the staging until the last chorus.
 
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crashworld

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The downfall for this entry is the staging + Teya & Salena not able to hype up the song. At least the juries gave them a respectful top 8 placing, it's the televoters that paid them dust.
 

aef

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Maybe we should focus mainly on very good vocals again next year. I mean they have been good this year that’s not what I mean but juries really love songs with very good vocals like :it: :ee: :be:. We had success with that in 2017 and 2018. But of course it needs to be a good song too to get televoting…

I want to have an :at: entry with both a 100+ jury and televoting points some say!
 

Datura

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Basically the same here in :de: with Barbara Schöneberger, no one I know likes her. :unsure:
i think she is very very funny and i like her a lot, but i don't think she is the right person to do the eurovision shows
 
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