ESC United Mod Team
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- February 10, 2021
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Historic records among young audiences The presentation of the songs reached a market share of 59 percent (12-49) and 73 (12-29) percent among the young target group. 89 percent market share in the decision and 82 percent market share in voting among the twelve to 29 year olds are the highest song contest or Grand Prix D'Eurovision market shares ever measured in this target group in the ORF. Even with 12-49, the ESC decision reached a historic ORF top value with a market share of 70 percent. It is thus in 5th place in the historical market share ranking of all song contest programs from 1995 (Grand Prix D'Eurovision and Song Contest). Yesterday's ESC achieved a 77 percent market share at 12-29 throughout the evening - and thus also a record.Thanks for giving me the opportunity to practice my German
actually he is the host of the most popular radio show in the country. so there must be many people who like him. he was also hosting the austrian music awards and that was similar cringe. perhaps I am too old to understand why he is popular.Maybe he´s ******* someones **** at ORF??
actually he is the host of the most popular radio show in the country. so there must be many people who like him. he was also hosting the austrian music awards and that was similar cringe. perhaps I am too old to understand why he is popular.
From those where I know their opinion, I don't know anyone liking him in my family/ among my friends. Many people find his Saturday radio show on Ö3 very annoying (the one were they try to solve peoples problems).actually he is the host of the most popular radio show in the country. so there must be many people who like him. he was also hosting the austrian music awards and that was similar cringe. perhaps I am too old to understand why he is popular.
That is why ORF won’t withdraw from ESC as long as viewers tune in for it. The only thing killing ORF’s interest would be A continued NQ streak.Historic records among young audiences The presentation of the songs reached a market share of 59 percent (12-49) and 73 (12-29) percent among the young target group. 89 percent market share in the decision and 82 percent market share in voting among the twelve to 29 year olds are the highest song contest or Grand Prix D'Eurovision market shares ever measured in this target group in the ORF. Even with 12-49, the ESC decision reached a historic ORF top value with a market share of 70 percent. It is thus in 5th place in the historical market share ranking of all song contest programs from 1995 (Grand Prix D'Eurovision and Song Contest). Yesterday's ESC achieved a 77 percent market share at 12-29 throughout the evening - and thus also a record.
Real champagne at ORF CEO floor.
I guess the homeland of Spotify didn't appreciate the criticism.I was shocked by Greece and Cyprus tbh. But then also by UK and Sweden not awarding us anything, and they were the show runners.
Actually I am equally disappointed for Germany and I was anticipating a 100+ televot.Dear disappointed fellow Austrians, let‘s just take comfort in the fact that we did much better than Germany. When things aren’t going that well, that’s often enough to cheer ourselves up, isn’t it?
From those where I know their opinion, I don't know anyone liking him in my family/ among my friends. Many people find his Saturday radio show on Ö3 very annoying (the one were they try to solve peoples problems).
But thank god Philipp Hansa does not have a tv showBasically the same here in with Barbara Schöneberger, no one I know likes her.
Raunzen and Mosern are German German expressions as well. Used all the time here.Older people like me use also "mosern".
Because from 2013 on the RO is made by a human being influenced byodds and semi results.
2018 Austria was not taking advantage of a part of the stage no other country did. That part was ordered and paid by ORF. Thats why it was the only country using it. I like the staging until the last chorus.I think the Austrian broadcaster needs to face the reality that they need to punch up their staging. I'm thinking of Austria 2017 which only had a giant moon prop, and Austria 2018 which lucked out by having a great song + taking advantage of a part of the stage no other country did. Austria just hasnt had dynamic staging in any memorable manner since 2012 at least.
This song was a potential top 10 that was let down by inadequate staging (and arguably running order less so). The girls sang great, and this song was a great slice of pop.
i think she is very very funny and i like her a lot, but i don't think she is the right person to do the eurovision showsBasically the same here in with Barbara Schöneberger, no one I know likes her.