It's because Eurovision fans are notoriously fickle. If only we could just judge songs as songs, and not be looking to compare everything, but unfortunately that seems hard. It happens every year, often with songs sharing little to no similarities to the previous winner/popular entry. Like in 2012 when Loreen apparently invented dance music, with poor Cascada the next year who'd been doing her thing since 2006 getting mercilessly attacked by fans for copying "Euphoria" and jumping on a bandwagon.
I'm with you on Tu Cancion – it feels realms apart from Salvador – though I think fans had at least a little more merit in comparing Cascada and Loreen. From memory, most of the complaints there were less "it's the same genre" and more "its chorus uses the exact same chords, very similar melodies and very similar timings, to the extent where the two
can be overlayed and sound almost like it's meant to be singing in rounds".
I still don't know how much I'd agree with that sentiment myself – they're certainly similar, though I'm honestly not sure how much of that is just due to genre conventions and sheer coincidence – but regardless, I think the "Loreen apparently invented dance music" bit is somewhat of a strawman argument. Instead, I'd probably just point to the obvious and say that despite some possible similarities, it wasn't a huge issue because they ended up as very, very different packages by the time it was all translated to the Eurovision stage.
When we see a peculiar looking long haired man hunched over singing jazz whilst doing Mr. Burns hands, maybe then will the accusations of copying be justified.
This entry in Hungary's selection seems, to my eyes, to be at least part of the way there. Again, it might just be coincidence mixing with confirmation bias; people are, after all, always keeping an eye out for songs similar to the previous winner. But it's got some similar elements (a young man singing an old-styled, stripped-back ballad with closed eyes and Mr. Burns hands while avoiding the camera), and I've heard some criticisms of Salvador-copying being lobbed around for it, so I was curious as to your thoughts there (and am also just wondering, out of curiosity, whether you like it or not).
I don't quite understand the predictions of absolute abysmal failure for this entry though. It is as though people haven't been paying any attention these past few years. I think the jury alone will eat this up and I wouldn't rule out the public either.
Yeah, absolutely. I'm hesitant to call it a possible winner, as I'm not sure it pops quite as much on first listen as other recent winners, but it certainly feels like it's got the potential for success if Spain doesn't go all Spain with the staging and make it end up around 20th. And I mean, bloody
Azerbaijan 2011 was considered an engaging enough duet to win; surely this is no worse
I wish I was a betting man. I said that "Suus" would go top 5 back in 2012. I said that "Rise Like A Phoenix" would win the very day it was revealed. I said "Maybe" would reach the final. I said "1944" was a winner the moment it was revealed... and if only my heart could've placed a bet last year, but I admit even I didn't believe my favourite Eurovision song of all time could actually win the contest. All those songs I mentioned there touched me, and "Tu canción" does too.
As somewhat more of a betting man myself (albeit a very small-time, cautious one), I'm starting to think I should set aside one or two "Rainy bets" each year to try and catch these things early. Though I might have to make some exceptions here and there if I don't want to end up with super-long-shot bets on Albania and the like in most years
Unfortunately my San Marino 1 in 360 application got lost in the post though.
Clearly the biggest drama of this year's NF season. Nul points to the postman, Rainy for San Marino 2019, Eurovision at Valentina's House 2020.