2. San Marino
The first performance starts bang on time. The song begins with a shot of the piano playing the opening riff on the other side of the stage. The camera then focuses on Valentina, standing barefoot on a glittery podium, wearing a long white dress. Behind her there is a beautiful backdrop, made out of material that changes colour with the light, imitating a shell.
Valentina’s first few lines are shaky and hard to hear. She makes little eye contact with the camera. As the performance continues into the second chorus her confidence builds and her nerves ease, and she starts to move freely to the music.
Second performance – screen goes blank. Second performance is far better. She looks very calm and very focused. In the third performance they have adjusted the opening camera angle, zooming closer in on the piano. By fourth performance she adds many more expressive hand gestures.
Olivia: I was a little worried at the beginning that she was a bit weak and under-confident – but she proved me wrong. Strong start, flows well and she really immerses herself in the performance. Voice is in very good shape. However, staging needs to be improved, she is a bit lost on the big stage. Also, the visual symbolism of her being a ‘pearl in the shell’ needs to be made more obvious to viewers watching her for the first time.
Gerry: It would be so nice if she qualified, but it’s a bit more difficult for her this time around. She was alone onstage, so there is a risk of her getting lost on that huge space. I really like how she looks like Boticelli’s Venus, actually, but I find it a bit weird that they took the first line—“Maybe there’s a pearl in the shell”—and just ran with it. There's much more to the song than just that.