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None said that I would love to have only male ballads. Madness of Love. Soldi and Zitti è Buoni are amongst my preferred ones, if we consider only the Italian representatives. I've loved also many other Sanremo songs over the years. I listen different genres just to clear this point. My top 3 this year were Marco. Madame and Lazza. Last year M&B. LRDL, Colapesce Dimartino. As you can notice different genres.Well, but I am trying to tell you why Melodifestivalen is as it as and that it's not really at all that representative, but you seem to think it is.
Anyways, there's nothing wrong with Pop, and ballads are actually quite often Pop as well, just slow songs. In the end music is subjective, you can do good or bad in all genres. My point it is getting a bit same-y and you're missing out on better and more interesting options in Sanremo, but if you want your country to only send male ballads (because it seems that is what you want?) then I guess good for you.
Tbh streams and views isn't the most important to me at least, it's cool and all if a Eurovision song becomes popular, but popularity won't determine my own taste, which isn't defined by other people's taste. And of course being a big country and these songs winning Sanremo and later entering Eurovision do help streaming numbers, that's just logical. But I didn't say these songs weren't popular in Italy, but then again does it mean that this is the only type of entries Italy should send? I guess this is where we differ.
None said that I would love to have only male ballads. Madness of Love. Soldi and Zitti è Buoni are amongst my preferred ones, if we consider only the Italian representatives. I've loved also many other Sanremo songs over the years. I listen different genres just to clear this point. My top 3 this year were Marco. Madame and Lazza. Last year M&B. LRDL, Colapesce Dimartino. As you can notice different genres.
For me all were worthy for a win. But since only one song wins I preferred Brividi and Due Vite and I wasn't the only one. In both cases all levels of the voting system preferred them, televoting included. So the italian public decided and not a mighty identity. The Italians decided what's more representative for them, the other so called contemporary songs didn't come even top 3, Lazza excluded. You may say that the italian public&juries are obsolete and retrograde but hey the same system voted for Soldi and Zitti e buoni.
Simply Brividi and Due Vite were more appreciated in the last two years.
Do i want my country to send another ballad this year? I don't know. It depends on the songs. I don't follow trends or genres but only feelings. If another ballad touches my heart I'll vote for it and support if it wins, the same with a rock, rap/trap, Pop or whatever song.
I started this conversation with you when I read your definition "boring male ballads" and I found it a bit superficial.
Everyone has its own opinion and taste.but since you are an accurate observer and analyzer I didn't expect that.
I remember in 2020 we exchanged our opinions about Andromeda and Fai Rumore. Three years later I can tell you that Fai Rumore has entered in the hearts of the italians, Andromeda no.
It is not the genre that counts but the emotions that the song is able to move.
There is nothing wrong with your point of view. Asking for more progressive, current or fresh entries is totally correct.Understand me correct here, Italians should definitely choose what they want to represent them, I'm just saying that we miss out on, imho, better and more interesting options. That's just my subjective opinion.
I'm not dismissing the taste of people, but it's apparent the general taste seems to be a bit conservative and skewed in favor of male acts. I'm pretty sure also being big names help here where's newer / not as big names struggle a bit (this is nothing unique for Sanremo, we see it in all selections).
I'm more surprised that the juries are not balancing with pushing more progressive entries.
I am not even against ballads per se, but it's more when I see what could have been instead.
Like I said, I actually enjoy the musical output of Sanremo these days, but I can only speak for my own taste.
Actually "Fai Rumore" is a pretty good ballad (I never said it wasn't as far as I recall), Elodie just had a more interesting song that felt fresher that's it, and I see the same pattern with the last two entries as well (more "conservative" choices over the more interesting ones). But like you said, if that's what Italians want it's up to them but I personally find it a bit miss.
There is nothing wrong with your point of view. Asking for more progressive, current or fresh entries is totally correct.
The only thing i questioned is your definition " boring male ballads" and i explained it why.
The other thing that maybe it's difficult to understand for a non Italian is the importance of the lyrics.
All the three last male ballads have a completely different meaning and the verses weren't ordinary at all. The unbearable silence when a love story is over, an intimate confetion between two friends and the complex dualism of consciousness and subconsciousness.
And these three ballads have different composition and style too, Fai Rumore more classic Italian ballad, Brividi is an urban ballad and Due vite a contemporary ballad.
As I said I understand perfectly your point of view and what you wrote it makes sense.To be honest, I am not sure how to describe them and "boring male ballads" was the first that came to mind
I know they are not identical, Fair Rumore and Due Vite do perhaps sound more "standard" to my ears (and I actually prefer them over Brividi which I can't stand lol).
Oh, you're most certainly true about lyrics and obviously since my Italian is more limited I only judge the music, I can't say much about lyrics. Frankly, I was never big on lyrics anyways (even if I understand the language), I am more listening to production, melody, composition and I guess this is where having something more "fresh and progressive" would be more interesting.
Just to close the point, I am not opposed to good ballads, both Fai Rumore and Due Vite (although the latter a bit less) are both fine ballads, but yeah like I said it's just when I see the potential in Sanremo for some more interesting stuff it's where I think Eurovision misses out and I just hope that this won't be like the norm for Italy moving forward because I feel like we move backwards in time to when this was expected from Italy and Sanremo, and perhaps it could discourage some artists and composers to take part when people will go for the "safer choices" in the end of it all.
Does it make sense?
As I said I understand perfectly your point of view and what you wrote it makes sense.
Maybe I "overrated" you a bit
I have always thought that your analysis were detailed and complete, lyrics included which as I said are a fundamental part of the italian songs.
Anyway, is stimulating sharing opinions with you. Thanks
I said if before and say it again: Sanremo has so much potential and usually have some real good stuff, but for the past years we're once again back to boring male ballads...
I think it's a good choice to have a radio jury since all the sanremese songs are aired by the radios. It's better to have their opinion then the demoscopic jury.Some interesting changes. All songs performed on Night 1 now which mean all are on radio on the same night as well. It means Night 1 is going to be very long though.
Getting rid of the demiscopic jury will be too unpopular among the masses.
Loreen instead is a novelty of 2023!I said if before and say it again: Sanremo has so much potential and usually have some real good stuff, but for the past years we're once again back to boring male ballads...
While I don’t agree with every single one of your mentions, I agree about 2017, 2019 and 2022, and in 2012 Nina Zilli came very close to my favorite. 2016 was a great song, just Francesca was too nervous and the staging was a bit too juvenile.Italy is the most underrated country for me. They should have won 10 times already.
Most definitely in 2012, 2015, 2017 with a better staging, 2019, 2022 with a better staging, 2023.
2013 better than Denmark, 2018 better than Israel, but I would have still preferred other winners although 2018 was quite terrible overall.
2016 fell flat for me, loved it before the contest.
2011 no way, not even over Azerbaijan.
While I don’t agree with every single one of your mentions, I agree about 2017, 2019 and 2022, and in 2012 Nina Zilli came very close to my favorite. 2016 was a great song, just Francesca was too nervous and the staging was a bit too juvenile.