This is a typical Italian ballad. This of course is not a bad thing. I find it a safe choice. Songs like this have a wide appeal. I like it, but I'm not crazy about it (at least for now).
Thank you for your balanced words, however, I would like to understand ... why do you insist on talking about "typical Italian ballad"? What do you mean by "typical Italian ballad"?
Meanwhile, let's define what "ballad" means in modern times: "In pop, folk and jazz music, ballad is a song with a slow tempo". Well! Including this, what kind of ballad would you approach "Fai rumore"? Pop? good CypriotGirl!
You are an excellent student
Having written this, I ask you, which genre between Folk, Jazz and Pop is typically Italian? Do you mean "Italian ballad because there is a contamination of our songwriting method?
Let's go on ...
Now let's try to understand the singer-songwriter Diodato. These are his words about "Fai rumore":
"I listened to English pop rock and therefore that thing there is now part of my DNA and has mixed with the Italian DNA, even with a certain classicism, that of the classic Italian songwriter song and therefore this mix I think is something of which to be proud. I am very proud of it and I am happy when they tell me. "
Read this you can understand some things:
-) when you say that the Italian song has a "certain typicality" it is correct. Classic influence is present in the song but it is only part of the song's DNA.
-) If the song has a mixture of Italian and English DNA, the "typicality" in a general and unique sense is lost, it does not exist. It is a music that has contaminations. Many members of the United Kingdom understood this while others pretended not to understand it (I don't want to believe that some of them can ignore the enormous baggage donated by their musical movement).
Now, I want to analyze together with you, my dear student, the songs that Italy from 1990 to today has brought to the ESC:
1990: Toto Cutugno "Insieme: 1992" (Pop rock)
1991: Peppino di Capri "Comme è ddoce 'o mare" (Neapolitan melody)
1992: Mia Martini "Rapsodia" (Pop)
1993: Enrico Ruggeri "Sole d'Europa" (Rock)
1997: Jalisse "Fiumi di parole" (Synth Pop)
2011: Raphael Gualazzi "Follia d'amore / Madness of Love" (Pop / Jazz)
2012: Nina Zilli "L'amore è femmina / Out of Love" (Rythm and Blues)
2013: Marco Mengoni "L''essenziale" (Pop) (2)
2014: Emma Marrone "La mia città" (Pop Rock)
2015: Il Volo “Grande amore" (Operatic Pop)
2016: Francesca Michielin "Nessun grado di separazione / No degree of separation" (Pop) (3)
2017: Francesco Gabbani "Occidenti's Karma" (Elettropop)
2018: Ermal Meta & Moro "Non mi avete fatto niente" (Folk / Pop)
2019: Mahmood "Soldi" (Contemporary R&B)
So, from what you can actually see, that you can see, Italy has brought a different genre every year except for Pop thrice (Martini / Mengoni / Michielin). That the typical "Italian Ballad" is the Pop genre?
Please ... you win whoever you want but enough to say nonsense or there is a risk that you demonstrate a lack of culture, fear and a clear desire for your nation to win
I greet you by writing the explanation of our song: According to Diodato's words "In" Fai Rumore "there is the torment of a man who wants to live his love, longs for oblivion, but ends up resigned to the fact that any action, any thought always turns to the heart of his feeling. An absence that becomes presence, a silence so deafening that it makes noise, this is the sweet and melancholic poetry sung on the stage of the Ariston: "What are you making noise here and not I know if it is good for me, if your noise suits me "