The countries where ESC is most popular are mainly Scandinavia and Germany, and they have more or less similar music scenes.
Off-topic but eh... what?
The countries where ESC is most popular are mainly Scandinavia and Germany, and they have more or less similar music scenes.
What would a good result of this semi have looked like according to you A-lister? Tell me the right 10 songs so I can understand your point.
Okay, I do get your point, A-lister, and I can even agree with you in some of the cases.
But still, I think that what we have right now is fine and doesn't need a desperate change
We don't need a "desperate change", we need either juries who are having clear guidelines to respect the purpose of the contest and to vote for songs rather than just vocal-gymnastics...
or we could simply go back to 100% televoting...
and oh yeah some actual transparency!
That's hardly revolutionary changes...
So are you suggesting that the juries vote for songs in contrast with their preferences just to "respect the purpose of the contest"?
A-lister: So instead of Romania and Armenia you would have wanted.... Who?
I mean if you're a jury in ESC the least one could expect is to atleast for them to understand the point of the contest right? Is that too much to ask for?
Actually, that's not the relevant thing here, eventhough some might think this thread is based on "my taste" that's not really the point of it.
No... there's no rule that there must be guaranteed places for songs in native languages, sorry. Nobody should be forced to vote for something they don't think is worthy the final.
You have a romantic view of the past I think, A-lister... Eurovision's always been like this
I get that A-lister, but I still would like to know what two song would have been the right ones according to you and your arguments instead of Armenia and Romania.
2004-2008 were the dead years. There's been much improvement since the juries have been knocked out, including a reduction in corrupt voting.Yes, it's always been like this when juries were deciding, atleast between 2004-2009 national diversity was celebrated and the contest actually became alive again.... now it's all back to "normal"... dated, cheesy and with an obvious pro-English biasism.
2004-2008 were the dead years. There's been much improvement since the juries have been knocked out, including a reduction in corrupt voting.
But even in your "glory" years, I cant remember many songs which fit into the category that you love - non Swedish or English.
No, you're incredibly mistaken. It's reputation was f*cked 10 times over in those years - it's reputation has been completely restored since the introduction of the juries. And I am incredibly thankful for them for that!I hope you DO realize that those were the years where ESC became popular again after some actual dead century? It was also more diverse musically than now.
It's not just a language issue, which I've stated plenty of times already.
Well there's no point now is it? ESC has totally lost its purpose... it has become a contest for Swedish writers to send their mediocre MF rejects... so much for "diversity" ? ...
I have no words, the worst qualifiers since the introduction of semis... even in a weak year.
Well, atleast Israel should be there instead of one of those. That's for sure.
No, you're incredibly mistaken. It's reputation was f*cked 10 times over in those years - it's reputation has been completely restored since the introduction of the juries. And I am incredibly thankful for them for that!