ESC United Mod Team
Super Moderator
- Joined
- February 10, 2021
- Posts
- 214
What's there to really understand tho'.
Let's not bring "Leto Svet" into the conversation if you do not understand it or the context around it.
Leto Svet was the culmination of Estonia's frustration with Eurovision Song Contest and our own pre-selection Eurolaul in the mid-2000s.
Main factors that lead to "Leto Svet":
"Leto Svet" was never a genuine attempt to be funny or to appeal to anybody in Europe. It was a "fuck you" to Eurovision and Eurolaul after years of bad results and frustration that came along with it. And it worked, the following year we got rid of Juhan Paadam and Eurolaul, replaced them with Heidy Purga and Eesti Laul, and we have done relatively well ever since. We have had as many top10 finishes as we have had non-qualifications in the Eesti Laul era. Our friends and favourites have also done well in the competition during that time. Our best buddies Finland and Sweden being the top2 and us being 8th last year was like a perfect outcome.
- Estonia's poor performance at the Eurovision Song Contest itself. We went from constantly being in the top10 (and winning) to being stuck in the semis for years, with our results getting worse and worse each time. "Eighties Coming Back" finishing 21st in 2003 was a pivotal moment, forcing us to the semifinal in 2004. Vaiko Eplik, the frontman of Ruffus/Claire's Birthday, was personally labeled as "the guy who fucked up Eurovision". He was verbally and physically abused by idiots for years, even had to hire a bodyguard. That's how seriously/passionately some people in Estonia took Eurovision. It is kind of a miracle that Eplik managed to recover from this, having his most creative and successful years after all that.
- ESC rapidly expanding to more countries. Our years of poor results concided with a lot of new countries debuting at the contest. Those countries were mostly from Balkans and Caucasus, regions we don't really care about that much. This mean't there was even bigger competition for qualifying to the final, and there were a lot more songs that we did not like. Furthermore, these were also the years when countries from said regions did well. We gave 0 points to the winning entries of Turkey in 2003, Greece in 2005, and Serbia in 2007. Before that, the average points we had given to the winning entries was 9.7. With the exception of 4 points to Israel in 1998, the winning entry had always received at least 8 from us.
- Eurolaul being stagnant yet flip-floppy. "Eighties Coming Back" in 2003 was hated not only because of it's poor result at the Eurovision, but also because it was selected by international jury over a huge public favourite -- "Club Kung Fu" by Vanilla Ninja, which was dead last in the jury ranking. Backlash from all this made Eurolaul finally switch to televoting, however, after 2 years of televoting winners failing, they switched back to international jury, same story, rinse and repeat. So, in the final years of Eurolaul, Juhan Paadam, the our head of delegation and producer of Eurolaul, started toying around with the pre-selection process. There was a year when only invited songwriters could take part, eventhough the invitees were mostly people who had participated in Eurolaul for over a decade and would have done it anyway. For 2008, I believe it was 5 open spots + 5 invited songwriters. Priit Pajusaar, the man behind "Kaelakee hääl" in 1994 and "Diamond of Night" in 1999, was one of the invited songwriters who got a free pass to the final. He, sharing the frustrations of many other Estonians, gave us "Leto Svet".
None of the Eesti Laul entries since 2009 share anything in common with "Leto Svet", nor is there a reason that there should be another one.
I understand what you're saying. 5miinust & Puulup are a risky choice but can also follow the path of "Shum".To me it's pretty clear that Ollie would maybe squeak through to the final of Eurovision and then pull a Jezebel. I just see nothing at all exciting or interesting in this. 5MIINUST x Puuluup are a gamble, but they are an exciting gamble. Anything could happen with the result, but they would be achieving it while bringing Estonian back to ESC, mixing together the styles of two beloved and very unique musical groups and showing off some traditional instruments and dance moves. There's just so much more here to appreciate, at least for me. Can't wait to vote for them in our Eesti Laul final!
Also people who like "nendest..", but think Ollie is a better fit for Eurovision.
ERR's annual budget shrank about 10% between 2008 and 2010, and stayed stagnant for another 5 years before it started growing again. While making the cuts for 2010 budget, there were ideas of us pulling out of ESC completely, yet, during those "no money" years they managed to make the final a live public concert (like it was in the 90s Eurolaul before Paadam took over) and introduce semi-finals.Well, the first two didn't have any semi finals at all so that probably helped. Also the '09 edition (and semis from 2011 onward) being studio shows rather than big live concerts. But yeah, if EL was a bigger priority, they could probably find more money at the expense of some other stuff. But then you'd probably have other people complaining that EL is getting all the money while the other shows are left with less. There's always someone unhappy when budgets are concerned.
I still say they should find some suitable studio and go back to pre-recorded semi performances if need be. It worked for years after all.
Oh come on that's just not fair now. When it comes to national finals, vote honestly based on what you support, or don't vote at all.
Odds for 5 Miinust and Puuluup are as low as 1.30 in some bookies. For reference, I think Elina Born & Stig Rästa had 1.40 some days before the final.
the possibility that ollie could fail to reach the superfinal is much higher in my opinium.If 5Miinust doesn't make the superfinal, Ollie probably has it in the bag,
Ollie's attempt from last year was one of my favourites among all national finals. My Friend ain't quite it for me I'm afraid, takes too long to lift off. BUT he's so good live and elevates the song a lot. Would love to see him at the ESC, Europe is definitely missing out on him