The suggestions of [MENTION=13781]Chorizo[/MENTION] are so thoughtful, reasonable and balanced, maybe it would make a great petition at change.org too.
Thanks for your support.
[MENTION=13781]Chorizo[/MENTION] send a e-mail to EBU with that text, if it manages to reach the reference group, it could well be changes made
I wish it were that easy. You seem quite optimistic but many of the flaws only exist because it makes things cheaper and easier for the EBU and the broadcasters. The EBU must surely be aware that having a larger jury with stricter criteria would be better and that their current definition of a music professional allows karaoke singers who just vote according to their own taste to be jury members.
Changes that would cost money and make things more difficult will only happen, if the broadcasters demand it or if there is public pressure. The general audience doesn't care enough about these things and Eurovision fans are a tiny part of the audience with different ideas about how to change things, so ideas from the fandom about changing the voting rules don't carry much weight.
The EBU is aware of the Russian voting scandal, which happened after they talked about notaries, so they should know that instructing the broadcasters on what to do is not enough and that they would have to send their own notaries in order to ensure a legitimate jury result.
The latter half of my suggestions at least wouldn't make things much more expensive or difficult for the EBU or the broadcasters, so maybe there is a slight chance of changes in this direction. What they currently do, is still cheaper and easier for them, though.
The current system only requires the jurors to give all songs in the contest a random number to create a ranking. When a Danish jury member, who didn't understand the voting procedure, handed in her list in the wrong order in 2016, nobody noticed the mistake until after the show because these rankings are so random and don't include any commentary. If the jurors had to add a few explanations, it would certainly help validate the voting and further expose juries from countries that tend to give the same top points each year or that tend to put a certain neighboring country last every year. In the current system, you could randomly fill in the numbers from 1 to 25 on the ranking sheet and hand it in as your jury vote without having listened to a single song and nobody would question your ranking because random numbers are all it takes as proven by the Danish juror. The current rules look like they were made by people who are either naive, ignorant or who simply don't care.
Having the jurors evaluate the studio version as well only makes sense, if you want to focus on good songs winning the contest. If you only see Eurovision as an entertainment show on TV and a singular annual event, this might not matter to you that much. I think having the jurors only judge the jury final is an ideological decision by the EBU and highlights that Eurovision is just an entertainment show for them.
If the EBU were interested in changes like those I've proposed, surely something would have already happened after all those years, since many of the changes I proposed are too obvious to assume that the EBU just didn't think of doing it like that.
I think they would turn down giving points to more countries because the douze points are a tradition and a fairer system with more countries receiving points would probably not change the winner but just make it fairer for the rest of the countries. The current presentation of the points shows that they only care about presenting the winner.
Anyway, I would really like someone who is in charge at the EBU to explain why they don't handle things differently and why they prefer their current system over what I have proposed.