seb89
Active member
No to AlbaniaNo. They went to Romania.
Romania got 7
No to AlbaniaNo. They went to Romania.
No to Albania
Romania got 7
It was the best entry for you and for Portugal. Therefore it got 12 points. What else are you expecting?
I think you have a point here. If there was something to improve in the final performance it was the visuals. Her hairstyle, her facial expression and her arm movements should have been less stiff and austere. With the dress I had no problem, I found it quite fitting to the way she performed.I didn't like her wavy ballroom dress, and her hair in a bun looked Victorian. The act was just too typical Eurovision. The way she was looking during the rehearsals in a more casual-looking dress and her hair in a tail would've been better, I think.
Your description of a stereotypical ballad fits to songs like Yohanna's Is it true, for example, but I see Quédate conmigo as a different type of composition. In fact, Quédate reminds me very much of Ravel's Boléro: One musical theme starting quietly and repeating several times with steadily increasing intensity in voice and accompaniment until it reaches full orchestral power and resolves in a dramatic key change. I think this pronounced arc of suspense right from the start is not a stereotypical ballad form, just like Boléro is not a stereotypical classic orchestral piece. They both appear at the horizon, so to speak, close in and steamroll almost relentlessly over the listener at the end. Maybe this is what you meant with cold and clinical?Another reason I see for not ending higher is what I previously wrote when this entry was announced: the composition is too much of a stereotypical ballad, where you know that near the end there will be a climax with lots of belting. It sounds too perfectly composed, the composition is almost too cold and clinical, so to say. I'm not sure if Eurovision viewers want that anymore. I think that played a role too.
as I was watching Pastora, I also felt that it was all just too stiff and too classic.
Another reason I see for not ending higher is what I previously wrote when this entry was announced: the composition is too much of a stereotypical ballad, where you know that near the end there will be a climax with lots of belting. It sounds too perfectly composed, the composition is almost too cold and clinical, so to say. I'm not sure if Eurovision viewers want that anymore.
That's false and you should know it. A Spanish (and stupid) reporter wrote in ABC (Spanish newspaper) that she was told not to win, but afterwards Pastora told everyone that that's NOT true. And obviously, a lot of commentators from a lot of countries told the audience not to vote for Spain. It is incredible that commentators tried to influence people's voting, and it's worse than that, because it was something that indeed Pastora never said. oOXoOXConsidering Spain didn't want to win and a lot of commentators pointed that out during the live show I think a 10th place isn't that shabby after all. And we know they won't withdraw and the broadcaster have been quite vocal about that so I'm confident that this is only the beginning of a winning streak for Spain.
I think you have a point here. If there was something to improve in the final performance it was the visuals. Her hairstyle, her facial expression and her arm movements should have been less stiff and austere. With the dress I had no problem, I found it quite fitting to the way she performed.
Your description of a stereotypical ballad fits to songs like Yohanna's Is it true, for example, but I see Quédate conmigo as a different type of composition. In fact, Quédate reminds me very much of Ravel's Boléro: One musical theme starting quietly and repeating several times with steadily increasing intensity in voice and accompaniment until it reaches full orchestral power and resolves in a dramatic key change. I think this pronounced arc of suspense right from the start is not a stereotypical ballad form, just like Boléro is not a stereotypical classic orchestral piece. They both appear at the horizon, so to speak, close in and steamroll almost relentlessly over the listener at the end. Maybe this is what you meant with cold and clinical?