BarefootBoogaloo
Veteran
Re: ITALY 2019
If it had been something like ESC 1980 or 1984, where you can tell it's starting as one thing and then changing into something else, I understand; but this (and the balls from 2015, or the soon-to-be triangles from this year), not so much, because, due to their design, it just seems stagnant.
the senography ( very strange), it will be a mobile setting, which will be transformed mechanically to each performance
If it had been something like ESC 1980 or 1984, where you can tell it's starting as one thing and then changing into something else, I understand; but this (and the balls from 2015, or the soon-to-be triangles from this year), not so much, because, due to their design, it just seems stagnant.