Wow. This year's Czech lineup is so good, that I am really thankful for having three phones and two tablets. OK, here is my order of preferences. Something can change during the upcoming two weeks, but for now it's like this:
1.)
Elis ft. Čis T - Wanna Be Like Hate me as you want, dear ballad lovers, but whenever there is a good piece of a fast-paced comedy-pop in the selection, I am all aboard. I loved both Lie To Me and Friend of a Friend and here we go again. It's stronger than me, I guess. Elis has the right kind of energy for this type of music (several years ago, I couldn't stop listening to somewhat similar song of hers called
Unfaithful Man), the rap part suits the song well and I can already see the crowds at EuroParties moving to it. (On a sidenote, I also find nice that Eva Burešová, Zofie Dares and even Olga Lounová were supporting Elis via their appearance in the video).
2.)
We All Poop - All the Blood In a tradition of a good old toilet humor, I just had to have a band with such name as my number two, pun intended. But seriously, I expected absolutely nothing from them and preassumed that Jan Bors & co. selected them just for the sake of having some band in the NF. I was twice as sceptical when I learned that two of the band members (who actually composed the song) are also members of Perutě, a band targeting kids and younger teens with cheesy, forcedly happy songs like
this. But wow, this is so completely different and good even after about 20 listenings that I will probably vote for it as well.
3.)
Barbora Mochowa - Black & White Holes Don't get me wrong with this one. I LOVE it and part of me loves the idea of sending something so unusual and ethereal to Eurovision just to witness what happens. Unfortunately, the more rational part of me doesn't believe in positive result. I am glad that Barbora produced once again a classy, elegant piece of art, but I am simply not convinced that Eurovision is the right place where it would be appreciated. I can imagine both Salvador Sobral and Conan Osiris scenarios with this one.
4.)
Pam Rabbit - Get Up Pam successfully merged the pulsating energy of Easy To Believe or
Sapa with darker tones of her other songs
Try and
Soulless and that could potentially activate two different sets of her fans. However, the message of the song is not very clear after first listening and the chorus is perhaps bit too inspired by verses of Imagine Dragons' Believer. I would love to see Pam representing us in Eurovision (and potentially winning the whole damn thing, why not), but I fear 2020 is not her year either.
5.)
Ben Cristovao - Kemama I kind of respect Ben Cristovao's ability to transform his weaknesses (problems with rhytm and limited vocal range) into his personal style, making it look like it was always intended that way. So, during the 10 or so years he's around, I've got used to these strangely cacofonic sounds he produces and I don't mind them anymore. I also cannot unsee that he has strong personal charisma, sense of fashion and self-presentation in general as well as huge experiences with social media marketing, all of which is crucial for the promotion of the song. The song itself just... isn't his best, sadly. But it's not bad either and if Ben ends up being the chosen one, I think I won't hang myself.
6.)
Olga Lounová - Dark Water I always feel bad when I am going to criticise someone who is nice person and competent vocalist, genuinely doing their best. But I'm sorry, this whole genre of wailing ballad in general and Olga's song in particular just don't speak to me. I do see and hear all the formal qualities the song has, but I just don't feel absolutely nothing while listening to it.
7.)
Karelll - At Least We've Tried Very similar case as Olga. Positive thing is that not even my last-placer is really bad, just ... least impactful, let's say. I don't hate it, I do respect it, but do I love it? Do I want to hear it again and again? Not really.