The thing is the song is not just a song. Any piece of media has a kind of discourse, whether that discourse is intentional or not.
Songs from n*zi rock bands are not just songs.
Bolsonaro é norte Bolsonaro é nordeste is not just a song.
Jamala's 1944 is not just a song.
Her's I can't breathe is not just a song.
And even getting out of political lyrics, a song pretty much saying "hi i wanna party and have fun all night" is not just a song. An instrumental song is not just a song. Decisions were made in order to a song to be created and these decisions come up from the subjectivity of the creator (no matter if it's because 'i wanted to make a protest out of this' or 'i just thought they sounded cool together').
And Alabama Watchdog openly said the lyrics from last year were thought due to the former, so sadly it's not that simple.
https://wiwibloggs.com/2020/12/12/a...ffend-anyone-and-were-not-transphobic/259486/ // and there is an interview about the subject from even before 2020 (or 2021, i don't remember when EL songs were released last edition):
https://www.google.com/amp/s/www.vo...nsgender-children-detransitioning-transphobia
A fun fact: I mainly research narrative construction in media, and when I was doing my post-grad final work, my supervisor told me it's recommended to have some evidence that one's work tries to create the idea that you are suggesting they do. Jamala's case, for example: she said herself that 1944 is about the Tartar and what happened during Stalin's government. >
https://www.bbc.com/news/world-europe-36265593.amp <. It's not invented from some esc fan's wild imagination.
Just some academic background
I'm up for continuing this conversation in private if you want to as i went too political and uh rules are rules