Jonaxh
Well-known member
Growers:
Faders:
Faders:
Growers:
The only problem I have with this is Elnur´s ridiculous overacting during his live performances and the fact he strangely reminds me of count Orlock from Nosferatu thanks to it. But the song itself is nice and for me it is the biggest earworm of the ballads.
Still not sure if the magic will work without the fascinating music video, which I would describe as "Alfred Hitchcock directing Stephen Sondheim´s musical based on Henrik Ibsen´s play", but I love it more with each listening.
Guilty pleasure, I guess. This song is like Frankenstein´s monster on LSD - sewn up fragments from 4 or 5 already existing songs, performed with juvenille naivety of singers who have no idea about the originals´ existence. I think it´s so silly that it actually has some unintended surreal quality which I love.
Faders:
Sympathies for Bojana as person are one thing, being fan of the song another. With each new version it loses more from the regional identity of the original, which was - at least for me - the most appealing aspect of it.
Similar problem as with Elnur - I like the song and dislike the irritating way Ann Sophie performs it. Since it looks like she doesn´t care about criticism and keeps singing it more or less the same, completely satisfied with herself inside the parallel world she seems to be living in, it´s now almost dead for me.
At first, I was moderately intrigued by the catchy "WaaarriOoOoOr" yodelling, by Amber´s creepiness and the overall Spanish horror alike aesthetics of the music video. But much more listenings later, it became just another "hysterical woman screaming" case for me.
I would love to have Croatia back.