Translated with Google
I am not in Vienna, but I just caught a lot on. And not according to what some say, but based on what is actually happening. So I have eg. The whole act that was being filmed via periscope by a member of the delegation in the arena. Trijntje sang really where fantastic. Consider the studio version, but full of subtle changes, and especially with a lot of emotion. I really got tears in my eyes, so beautiful was. So I've never heard her sing.
The animation is also the background that you see. On the images other than the official camera recording it all seem vague images, but by the real camera is a kind of 3D Hologram (can not explain it otherwise). In the beginning you only see Trijntje very close, and then on the "I wish you were waiting roses at sunset" is really a sun and the camera zooms out a bit. Then you see a man walking and during the bridge is not that a kind of "dream" come true, where you man a woman (Trijntje) shall hold and kiss. Then the emotional climax comes with howls and adlibs and disappears the dream and see you again just walk the guy. Where the stage until then pretty black / white / gray (very contrasting opposite color pattern of all other acts), he is more colorful in the end. The colors in the end will undoubtedly be adapted, this was a little excited with the bright green. That red was very beautiful. So it's something you really must see himself Tuesday to get it (because if you now only see the graphics, you do not see that effect). The camera is the man against whom she sings this and that game will go a very prominent role in the act. There she was Monday not so much working on it, so it was obviously not in place. Very curious about tomorrow for that matter. The camera zooms constantly in and out again, but Monday was a bit strange sometimes, because Trijntje did not take much and there she sings the song also quite different (better) than the studio version. So the cameraman was still going on cues from the studio version, and now so is also adjusted to the actual live version.
In short, if you look those comments read by some bloggers, the graphics were really quite impressive, she is filmed very close (no wide shot, what you see so constantly with other acts that sweeping cameras, even when eg Sweden. ) and therefore has the opportunity to really connect with the audience at home. Why did it not now? Trijntje was only concerned with the vocals. Tomorrow pieces that has been going better, and if so the noise falls out, it will most likely start falling into place and are very impressive. If not, is it really to herself and her ability to carry it out, not the plan.
Most acts have nothing special planned, there you have constantly changing camera shots and led visuals (which can be very nice Flashy) in the background reveal equal to what it will be. Trijntje of the act can be potentially fantastic but is therefore much more complicated. Even more complicated than last year! No wonder that it still falls into place and therefore equal a little messy happened. It's a bit of a 1 + 1 = 3 story. 3 which can reach them, but now it is still looking for the right proportions to create accurate comparison.