ESC United Mod Team
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- Joined
- February 10, 2021
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Because Alessandra was out of tune in live. The studio version is nice, but the live isn't. Jone should have won. It's the only good song I've listened this year in the ESC bubble. Not to mention Keiino's new songs, if they count.Fader for me, I kinda like the studio version but something about the live version irritates me
Will do well in Liverpool, but I don't see it finish within the top 5 tho
Semi-decent karaoke bar singer.Quite a car crash, this specific performance.
Good buck generic. Nothing new. 6 pts.
I hope Alessandra's singing gets better for ESC. The live version is so bad
Oh damn, that is VERY similar to Queen of Kings, from the melody in the verse to the overall structure to the beat in the chorus to the basic theme of the lyrics...A bit OOT but Norway-related:
Remember Eline Noelia from 2022? Apparently one of her songs with Audur (who co-wrote her entry "Ecstasy" with her) is selected as the lead single off one of K-Pop's current hottest groups IVE
But listening to it, I think of three things:
1. It is similar to Queen of Kings in some aspects (which meand this kind of sound's rathe rpopular there)
2. I suspect it was pitched to Melodi Grand Prix before but got rejected.
3. That chorus is certified cheese.
And we don't know how much autotune was applied. The dilemma is: If she wants to improve her vocals, she may have to move less around on stage.
Why did they allow autotune in the first place though in Norway?! They have to know it's not allowed at the Eurovision.