God bless this thread and everyone
Mandy is a cover, not sure it's the best example either lol , but actually melody-wise and composition-wise it's not too far off. Maybe being stuck up with boybands was a bit narrow, there are girl-groups and mixed groups from that era too that comes to mind like Atomic Kitten and S Club 7.
I think where we misunderstand eachother is about the production right? It's true that "Fallen Angel" has a bit of different production to it, but it's not something radical, more like it's a revamped version of the type of songs I refer to where there is a bit of electronic beat taking over what usually was more like piano or guitar driven, but as you say it's more elements (I guess goes with the time), but to call it electro-Pop is really far stretched (we're obviously not talking Margaret Berger here). But I wouldn't say it makes a huge difference when the base is pretty much the same (melody, composition and pace as these songs).
Also, coming back to the lyrics, I mentioned earlier some personal tragedies I experienced in life (knowing two people who committed suicide for instance), the lyrics here are simply too shallow and the song is too sugary to be a serious take on the mental illness topic. Here I won't back out of the argument, since I really think people are giving him a free pass and just accept that he associates the song with that topic but I would expect something more serious sounding then if he really wants to sell that part to me.
I am not sure if it now became a bit clearer what I mean?
No, it really didn't become clearer, I'm sorry
And all the other examples here really don't sound like Fallen Angel at all, it's so funny
I wouldn't call it Electro Pop either (even though it states so on the German Wikipedia page), but it reminds me more of early 2010's Pop than anything, you know – the likes of Owl City and such. Distorted voice, keyboard, faint strings, dreamy lyrics, really explosive chorus, tame strophes, somewhat tame bridge as well (where you often have that dramatic key change and build-up in boyband songs), again: also no signs of vocal fry. The choir reminds me also of Bastille's Pompeii. Funnily enough, that's also the time period where TIX started producing music.
And concerning the lyrics; I found this comment about his music under one of his videos (not sure what's the original source, probably an interview in Norwegian or something):
His own words about his music: «I’m making music for people to connect with, I’m not making music to please the music critics. I want to make songs people understand and can relate to. I'll be the soundtrack to the life of the guy who has been working his ass off all week and is just looking forward to the weekend. I'm there for the girl who has had her heart broken for the first time. I am there for the boy who wants to get out of the closet but does not dare to say it. I am there for all those who feel loneliness and all those who want to get away from loneliness. To get that message out, or to be there for so many different people, things and songs can’t be too complicated. It's a bit like eating pizza with a knife and fork.»
They are not meant to be "deep" and I don't think anyone actually claims so. You put your own expectations onto someone's work without checking up on his intentions, it's like saying: "Why is this Fiat not a Ferrari?"