jatojo
Well-known member
- Joined
- February 15, 2020
- Posts
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What tendencies have you noticed in the Eurovision songs this year?
I see at least four trends:
1. More local songwriters. I haven't examined it thoroughly, but it seems there are relatively few of the winning national entries that have been acquired from abroad. Positive, I think.
2. More songs partially or totally performed in a language that is not English. It's seems that the combination of native language and English has become more popular. A good thing in my opinion. In the Norwegian MGP there was Spanish, Italian, Portuguese, Norwegian - and maybe more.
3. Focus on chorusses, not on verses. What strikes me this year, is that many songs have weak verses. In some cases you get the feeling that the verses were added as a kind of "fillers" long after the chorus had been written. It goes for Israel, Georgia, Croatia, but also slower songs like Netherlands and Italy. Italy would actually have been much further up my ranking if the verses hadn't been so lackluster.
4. More disjointed compositions. What I mean here is songs that consist of elements that don't really fit together. This category is to some extent coinciding with the verse-weak songs I just mentioned, but even a song like Cha Cha Cha clearly has two parts that aren't naturally compatible (I like it in this case, but I can understand if some think it's clumsy). Armenia and Azerbaijan are other examples of incoherent entries.
(I'm not saying that these four are absolutely unique in terms of 2023 - it's just characteristics that appear general to me.)
I see at least four trends:
1. More local songwriters. I haven't examined it thoroughly, but it seems there are relatively few of the winning national entries that have been acquired from abroad. Positive, I think.
2. More songs partially or totally performed in a language that is not English. It's seems that the combination of native language and English has become more popular. A good thing in my opinion. In the Norwegian MGP there was Spanish, Italian, Portuguese, Norwegian - and maybe more.
3. Focus on chorusses, not on verses. What strikes me this year, is that many songs have weak verses. In some cases you get the feeling that the verses were added as a kind of "fillers" long after the chorus had been written. It goes for Israel, Georgia, Croatia, but also slower songs like Netherlands and Italy. Italy would actually have been much further up my ranking if the verses hadn't been so lackluster.
4. More disjointed compositions. What I mean here is songs that consist of elements that don't really fit together. This category is to some extent coinciding with the verse-weak songs I just mentioned, but even a song like Cha Cha Cha clearly has two parts that aren't naturally compatible (I like it in this case, but I can understand if some think it's clumsy). Armenia and Azerbaijan are other examples of incoherent entries.
(I'm not saying that these four are absolutely unique in terms of 2023 - it's just characteristics that appear general to me.)
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