Humm... what would be the point of having live performances if half the vocals are pre-recorded ?
On the other hand: bad lead vocalists shouldn't be masked by technically polished background vocals. You can always find good live back vocalists. There are zillions out there waiting for a job. I also never really heard about a song that failed at Eurovision due to the backing vocalists. And even if there were, I didn't perceive this as a problem that was so important that a rule change was necessary. On the other hand the new rule turns the contest even more artificial and opens the door to foul play (autotune, hiding parts of the lead vocal inside the prerecorded part and so on...)Happy to hear this. Totally agree. Poor backing singers shouldn't affect the outcome.
If it's only for the song, there's no need for a live event, is there?But surely the focus should be on the song and not the singing. To me this will make for better songs and that's what matters most.
Yeah! Let's make ESC an artificial computer tailored non-event, where the singer is alone on stage with some mp3-files.I like this change, as I always found the figure of the "backing singer" in general pretty humiliating, because, why should a singer go to ESC, be on stage, only to do a bit of "ooh", "aah" for another singer?
Yeah! Let's make ESC an artificial computer tailored non-event, where the singer is alone on stage with some mp3-files.
Hopefully not, but you just advocated for that two posts earlier.It will not become that, don't overdramatize.
Hopefully not, but you just advocated for that two posts earlier.
The number of things you don't like in music is amazing.Ffs, stop being delusional. I didn't say that. I said that a singer on its own, with its own dignity, shouldn't stoop so low at being a back vocal for another singer, while that other singer gets the glory of actually singing the song. I just don't like backing singers, period.
To each their own opinion of course, but I think backing vocalists are often important and even crucial depending on the song: I would not imagine "Molitva", "Legenda", "The Secret Is Love", "Round And Round" or "It's All About You" having the same energy/impact with pre-recorded backing voices for instance.
And sometimes those people do almost all the hard work: Jedward's entries, "Popular", "Dance You Off", "Storm" and probably others I don't have in mind right now.
Live voices make a performance sound "warmer", contrary to computer-corrected ones. I can only hope many delegations will opt for the "traditional" way instead of seeing there a mere way to reduce costs.