ESC United Mod Team
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I feel like its journey might be similar to Spain last year. A well received 'unusual' entry among the fandom that underperforms drastically at the contest.Does anyone see this really not doing well outside of Nordic and Germanic countries? The rest of Europe just has no relation to this at all, they don't get any connection, any mood, it might just come across as weird and noisy to them.
Not sure and i'm pretty indifferent to it, it seems to have a lot of elements i should like but it's not engaging enough to me personally, though it's nice that they send something so different from the norm, it's just not in my favorites.
Does anyone see this really not doing well outside of Nordic and Germanic countries? The rest of Europe just has no relation to this at all, they don't get any connection, any mood, it might just come across as weird and noisy to them.
Not sure and i'm pretty indifferent to it, it seems to have a lot of elements i should like but it's not engaging enough to me personally, though it's nice that they send something so different from the norm, it's just not in my favorites.
It’s two very different approaches. The song you are refererring to is a Runrig kind of song. British-Irish folk rock. Ulveham is much more of a medieval folk song, with the explicit reference to a special type of singing in the intro (a sample from an old recording). The lyrics are to a large extent taken from an old (rather barbaric) folk song. The rock element has been added, like Go_A.One of those fan favourites that I have a hard time getting into. There's nothing I find particularly interesting about it; when you're used to melodic bangers like Nightwish's Last of the Wilds, Ulveham feels incredibly flat in comparison, grating even.
It’s two very different approaches. The song you are refererring to is a Runrig kind of song. British-Irish folk rock. Ulveham is much more of a medieval folk song, with the explicit reference to a special type of singing in the intro (a sample from an old recording). The lyrics are to a large extent taken from an old (rather barbaric) folk song. The rock element has been added, like Go_A.
The melody in Ulveham is rather unconventional which is why the song probably won’t win Eurovision. But after the first listen I actually liked it, although I’ll not try to sing like her (for the sake of my neighbours).
The big trend this year is the lack of strong melodies. I considered counting how many entries have a chorus with more than two or three notes. It’s not many. It seems the beat is becoming increasingly important in Eurovision. The Cha Cha Cha effect.I don't think there's an overall different approach, just that one is upbeat, the other isn't. But sure, there are better comparisons. We have bands like this in Germany, too.
My main point is: Medieval folk doesn't have to be as ear-piercing and simultaneously incredibly one-note as Ulveham and can involve more toned-down, yet generally more appealing harmonies without losing its "haunting" vibe (my own perception, of course). The fact that there is basically zero hype around this entry despite having such an overwhelming positive resonance among ESC fans kinda certifies this as the fanwank of the season to me, so I share your sentiment about this not winning.
But hey, maybe they'll surprise us all and can connect to the broader audience. They're similar to Switzerland in this regard I feel, the live performance will be very important.
This is also a big reason why there is a segment of fans, myself included who find this to be a particularly weak year, despite in some ways having increased musical diversity.The big trend this year is the lack of strong melodies. I considered counting how many entries have a chorus with more than two or three notes. It’s not many. It seems the beat is becoming increasingly important in Eurovision. The Cha Cha Cha effect.
True. I was thinking about La Noia today. It's a nice song, but there is no melody that "sticks". I will never go around humming that song.This is also a big reason why there is a segment of fans, myself included who find this to be a particularly weak year, despite in some ways having increased musical diversity.
The big trend this year is the lack of strong melodies. I considered counting how many entries have a chorus with more than two or three notes. It’s not many. It seems the beat is becoming increasingly important in Eurovision. The Cha Cha Cha effect.
It is a "noisy" song, sure - that's the trend. I liked 'Hammer Of Thor' slightly more. I don't know why that song wasn't more successful. It was certainly not a typical pop song and yet quite melodic.Yeah, actually very true. I generally don't mind it, it works for a lot of songs this year for me, but in genres like medieval folk I prefer a more 'melodic' approach, otherwise it's just too jarring for my ears.
I think its pretty underrated aswell. It totally stands out, i'm quite sure this will be top10 (maybe even top5). I just hope she sings it well, when she doesn't it's painfulDark horse!!!! Why's everybody sleepin on it?
I don't know if the Danish and Swedish televoters will back this up entirely. Maybe it depends on what is said about the song before the performance. If people know: hey, it's an old Scandinavian folk tale and all that -, then that will make a difference. But when the Danish jury announced their votes at the NMGP, Ulveham didn't get much.At the very least Norway has the Nordics so it won't receive 5pts from the televote ;-; but I think this has potential to reach 100 or more in the televote, not sure about jury though.