You're free to like it sure, but in my humble opinion 'I don't feel hate' doesn't work on a fundamental level.
Not that I would try to undermine Cyberbliss's with an anger-fuelled rant of my own, and besides my posts already contain so much 'Angry Man Logic' that you can almost mistake them for a David Mitchell tribute act (take note Loindici, this is not a comparison I consider unflattering. Piers Morgan. Pah!)
Anyway, it's usually a good thing to respond to hatred and social shunning with a certain "...and you are?", undermining the hater's anger and grossness with you. This is not a problem in itself.
In fact, two years back we had an act who did EXACTLY this and he was DESPISED by this very place. In case you draw a blank, I'll give you a hint: he's not a rich, but he's shining bright.
Drawing strength always requires an innate form of adversity, a hurdle you need to overcome to grow as a person. In Billal Hassani's case, this was glaringly obvious: he is a genderfluid, homosexual person of colour from a muslim background. He's received tons of hatred online and in person, so when he showed up with the same 'et qui vous êtes?" energy in 'Roi', I was charmed. The song was medriocre but eh, looking at Eurovision from a purely musical perspective is like painting with cataract. You miss out on the whole picture.
Jendrik, who is just a random store-bought, wonder-bread-looking onlyfans twink, lacks this backstory. For all intents and purposes he's a random millennial who shows up with a ukelele all 'WELL I KNOW YOU WANT TO HATE ME BUT I DON'T CARE LA LA LA', which...
who are you and why should I hate you?
Jendrik provides no answers to these questions beyond his song, indicating that he, ironically, should be hated because that's what he tells you! It's passive-aggressive and juvenile.
There is no preceding backstory to draw the empowerment from, which is why 'I don't feel hate' fails on a fundamental level. Jendrik wraps it in a cloak of faker-than-faux-fur wokeness, which is rather insidious and mercenary when you think of it - the song, doesn't support marginalized groups, nor does it really teach you how to overcome hate. It's a random telling you you can't hate him because he doesn't care...
But if you don't care about who hates you, then why bother writing this song?
Why post online screenshots of people DM'ing you and calling you the F-word when you can just block them?
Remember, this is an international musical competition. Jendrik's real agenda is to do well in it, and in doing so spins an elaborate lie that his fans are eating up like candy. Sadly it's that black liquorice candy with salt on it.
Like, I understand why these inconsistencies are lost on most people. I spend a lot more time thinking about Eurovision songs than the average person, and the ideas I lay out here are not something you can satisfactorily explain in under a minute. But there's something really devious to this song once you start analyzing its narrative. The pieces don't fit and what it is claiming to tell you does not align with that it actually tells you. But it sure sounds jolly I guess.
Now, on a musical paradigm, "I don't feel hate" is on the same level as "Still breathing" is for me. This is MY controversial opinion but 'Still Breathing' was the worst song, musically speaking, in 2020. A bunch of self-aggrandizing scat strung together by some camel fart honking noise.
"I don't feel hate" is structurally similar, but there are parallels in the narrative delivery as well: Fake-Woke Empowerment that barely masks the interpreter's egocentric personality - but in Samanta's case it works because Samanta Tina truly gives not a flying fuck what other people think about her. 'Still Breathing' is about "female-empowerment", yes, but of one woman only: Samanta herself. She doesn't even hide it. Being rejected from Supernova seven times and from Atranka once does that to any strong person. She doesn't post screenshots of the online 'hate' she receives to prove she's Above It All. She doesn't try to prove anything other than the fact that she's Samanta Tina, bitches and it's amazing to be Samanta Tina. As far as narratives go, that is good enough for me.
Jendrik however? Just a random white twink. Walk into any summer pop up bar, throw a pebble and you'll hit five Jendriks. He's not unique, nor confident and he knows. He needs to profile himself, and so he does, by being deliberately irritating.
This was your bit of "psychoanalysis 101 with BorisBubbles" have a pleasant evening loving, hating or not giving a fuck about this song x0x0