Jay25
Well-known member
- Joined
- February 28, 2015
- Posts
- 283
Re: GERMANY 2018
Yes, there were indeed some "creative" entries, almost every year.
But there were also those "safe calls", winning most of the time. Probably because the German's just feel it is "good to send an average radio-friendly" song. At least, most of the Germans don't seem to understand the reason we are failing at eurovision ("Everything is political!", "Blame it on Merkel!", "Everyone hates the Germans!", "We don't get any neighbour points!", "The contest is corrupt!", I could go on for ages...)
One moment that somehow described this feeling: There was an interview with the German jury, asking why they gave 12 points to Norway. And the answer was, they (I think Nicole answered) felt like this was the "most modern and best-produced song" in the contest. Well, you can't say that the German entires weren't modern nor badly produced. But those attributes are not enough for a successful song.. :-(
Yes, there were indeed some "creative" entries, almost every year.
But there were also those "safe calls", winning most of the time. Probably because the German's just feel it is "good to send an average radio-friendly" song. At least, most of the Germans don't seem to understand the reason we are failing at eurovision ("Everything is political!", "Blame it on Merkel!", "Everyone hates the Germans!", "We don't get any neighbour points!", "The contest is corrupt!", I could go on for ages...)
One moment that somehow described this feeling: There was an interview with the German jury, asking why they gave 12 points to Norway. And the answer was, they (I think Nicole answered) felt like this was the "most modern and best-produced song" in the contest. Well, you can't say that the German entires weren't modern nor badly produced. But those attributes are not enough for a successful song.. :-(