Labdien!
Now you are wondering, maybe even muttering: why is he wasting time on those early millennium years? Believe me, I'm really starting to call that in question myself. I guess I have a couple of incentives for starting these threads:
1. I think every year deserve, if not their own sub-forum, so at least one dedicated thread where you can comment on anything.
2. I haven't actually listened at those songs since back then, and so it's like I haven't heard many of them before. Not much to discover, obviously, but that's what I'm doing - re-discovering. In other words, I'm trying to find (CD-versions only) something at least decent that my nowadays settled taste in music may approve of, as it has changed very much since I was a teenager.
3. Many of us also want personal rankings from every year. Why not start with the early 2000's.
Whatever your incentives to contribute to this thread - just do it! Post Your top 10 or simply vent your spite upon your unbearables.
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Hey Rico, here is my opinion about Rīga!
It was big buzz about t.A.T.u, I really remember that. And that's probably why people voted for it. No way 3rd place? It will always sound horrible to my ears.
And then we had Urban Trad with their constructed language, also a story we've heard ad nauseam. And I guess the Sanomi-prank diverted much of peoples attention. I say no way 2nd place? Nasal noice for me.
I may get though why Turkey managed to win. Very catchy, indeed. But wont qualify for my top-list, is definitely not my weed. Simply put, it's too ordinary.
Here are the entries I choose to listen at more than twice:
1. - Ruffus - Eighties Coming Back
The best Estonian entry, evah. It's about the eighties, simple as that. Seriously, I think it's emotional flair. Feel the well-balanced voice, hovering over sneaking real instrument valleys. Maybe empty on the surface to some, but personally one of my all-timers. Lovely!
2. - Beth - Dime
The last act before dancehall shut down. It's rather plain, but not in a pushy way like the turkish winner. Very addictive and with strings delivered in fine moderation.
3. - Jemini - Cry Baby
Believe it or not. It was the first entry from UK ever to draw a blank. Extremely repetitive, and I fall for that. The weakness becomes a strength. More important though, something creaky is added to the last refrain. That pinch of complexity almost makes my day. And the beat is mysterious.
4. - Louisa Baileche - Monts et Merveilles
A decent Bergendahl-reminder. Maybe a little too ordinary in structure.
I've also found two "maybee's", though gets too stationary pretty fast, and the nazi vibes from gets both prominent and annoying. Near oki-dokies though. I'll probably put in 7th place then.
Strange enough, some entries are definitely "different shades of bad", to borrow A-Lister's locution. These are:
26. - Olexandr Pomoyarnov - Hasta La Vista - Stop iiiit! Please, just stop. DO NOT OPEN TIL XMAS!!! Olexandr's voice is unbearability emwhinied.
25. - Alf Poier - Weil Der Mensch Zählt - I'm not much for jokers. Uncalled for.
24. - Stelios Constantas - Feeling Alive - Generic, ingratiating pop-templet. A brick has more soul.
23. - Urban Trad - Sanomi - I just can't stand it through. And I'm not against the Esperanto-thing. I just can't stand the sliding noise.
I had much to say about this year. It was both ups and downs, and that's always interesting. In alles therefore, maybe even above average for being early 21st.
Hit meee!
Now you are wondering, maybe even muttering: why is he wasting time on those early millennium years? Believe me, I'm really starting to call that in question myself. I guess I have a couple of incentives for starting these threads:
1. I think every year deserve, if not their own sub-forum, so at least one dedicated thread where you can comment on anything.
2. I haven't actually listened at those songs since back then, and so it's like I haven't heard many of them before. Not much to discover, obviously, but that's what I'm doing - re-discovering. In other words, I'm trying to find (CD-versions only) something at least decent that my nowadays settled taste in music may approve of, as it has changed very much since I was a teenager.
3. Many of us also want personal rankings from every year. Why not start with the early 2000's.
Whatever your incentives to contribute to this thread - just do it! Post Your top 10 or simply vent your spite upon your unbearables.
----------------------------------------------------
Hey Rico, here is my opinion about Rīga!
It was big buzz about t.A.T.u, I really remember that. And that's probably why people voted for it. No way 3rd place? It will always sound horrible to my ears.
And then we had Urban Trad with their constructed language, also a story we've heard ad nauseam. And I guess the Sanomi-prank diverted much of peoples attention. I say no way 2nd place? Nasal noice for me.
I may get though why Turkey managed to win. Very catchy, indeed. But wont qualify for my top-list, is definitely not my weed. Simply put, it's too ordinary.
Here are the entries I choose to listen at more than twice:
1. - Ruffus - Eighties Coming Back
The best Estonian entry, evah. It's about the eighties, simple as that. Seriously, I think it's emotional flair. Feel the well-balanced voice, hovering over sneaking real instrument valleys. Maybe empty on the surface to some, but personally one of my all-timers. Lovely!
2. - Beth - Dime
The last act before dancehall shut down. It's rather plain, but not in a pushy way like the turkish winner. Very addictive and with strings delivered in fine moderation.
3. - Jemini - Cry Baby
Believe it or not. It was the first entry from UK ever to draw a blank. Extremely repetitive, and I fall for that. The weakness becomes a strength. More important though, something creaky is added to the last refrain. That pinch of complexity almost makes my day. And the beat is mysterious.
4. - Louisa Baileche - Monts et Merveilles
A decent Bergendahl-reminder. Maybe a little too ordinary in structure.
I've also found two "maybee's", though gets too stationary pretty fast, and the nazi vibes from gets both prominent and annoying. Near oki-dokies though. I'll probably put in 7th place then.
Strange enough, some entries are definitely "different shades of bad", to borrow A-Lister's locution. These are:
26. - Olexandr Pomoyarnov - Hasta La Vista - Stop iiiit! Please, just stop. DO NOT OPEN TIL XMAS!!! Olexandr's voice is unbearability emwhinied.
25. - Alf Poier - Weil Der Mensch Zählt - I'm not much for jokers. Uncalled for.
24. - Stelios Constantas - Feeling Alive - Generic, ingratiating pop-templet. A brick has more soul.
23. - Urban Trad - Sanomi - I just can't stand it through. And I'm not against the Esperanto-thing. I just can't stand the sliding noise.
I had much to say about this year. It was both ups and downs, and that's always interesting. In alles therefore, maybe even above average for being early 21st.
Hit meee!